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Study Guide: Speak by Laurie Halse Anderson - BookNotes Downloadable / Printable Version SPEAK BY LAURIE HALSE ANDERSON: LITERARY ANALYSIS
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Melinda’s parents order her to stay after school every day in order to get help with her grades. She agrees, but spends the time in her secret closet. She wants to take down the mirror already on the wall, but since it is screwed into the wall, she covers it with a poster of Maya Angelou. Melinda knows Ms. Angelou is a great writer, because the school board banned one of her books. Then, Melinda sweeps and mops and adds a few books she has brought from home. Most of the time, however, she doesn’t read; she just “watches the scary movies playing on the inside of her eyelids.”
Melinda relates to us that it is getting even harder to talk, because
her throat is always sore and her lips are continuously raw. When she
wakes up in the morning, her jaws are clenched so tight that she has a
headache. She can sometimes talk to Heather, but around her parents or
teachers, she has “spastic laryngitis.” She recognizes that she has some
emotional problems which she refers to as the “beast in her gut.” Sometimes,
she wants to “confess everything, hand over the guilt and mistake and
anger to someone else,” but most of the time, she uses her closet to “help
her hold those thoughts inside her head where no one else can hear them.”
This is a very significant chapter, because it reveals that Melinda
finds retreat and silence as the only way she can deal with what has happened
to her. The closet, someone like Maya Angelou, and her “spastic laryngitis”
keep her safe from dealing with a problem that is obviously too painful
for her to think about. Also, it’s important to note that Melinda refers
to herself as a perpetrator when she says she wants to “confess” everything.
If the reader’s sense that she has been raped proves to be true, it is
so sad to consider that this poor girl would believe she was in any way
responsible for what happened to her.
Melinda observes that her Spanish teacher finally resorts to English to warn the class that they can no longer pretend that they don’t understand the assignments or they will receive detention. Melinda has the solution to the problem: if the teacher had just taught them all the swear words in Spanish the first day, they would have done whatever she wanted.
Because she doesn’t want detention, Melinda does the homework: choose
five verbs and conjugate them. She chooses: traducer - to translate; fracasar
- to flunk; escondar - to hide; escaper - to escape; and olvidar - to
forget.
This is yet another small chapter, but one which is very revealing. Melinda again resorts to sarcasm to show how silly the authority figures around her really are. Her commentary is reflective of her feeling that adults don’t understand kids her age, nor do they seem to care. The verbs she chooses, of course, are reflective of her inner turmoil - she has trouble translating her world into one she can live with; she is failing her classes, be cause she just doesn’t care; she looks for any way to hide from others; she dreams of escaping to a place where she can find peace; and she strives every day to forget what has happened to her.
Of course, we know that until she deals with her pain, she is doomed to never
achieve the peace she desires most.
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Clapsaddle, Diane. "TheBestNotes on Speak".
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. 10 June 2008 |