Roscoe, Joe, and Janey are trying to sleep amidst their fear that neither
July nor Gus will be there to help them if the Indians come back. Roscoe
blames Elmira, because she refused to stay with her husband and set these
events into motion. Soon, however, he nods off only to awaken to a reality
worse than a nightmare. Blue Duck has found them and methodically kills
all three with his huge knife. July finds them an hour later already stiff
in death. He can't even bring himself to go to the bodies and sits just
listening to the blow flies buzzing over the blood. He feels a terrible
need to turn things back to the time he lived in Arkansas. He knows it
can never be, but his mind fights to make it so. Finally, he takes out
his knife and begins to dig their graves. He is still digging when Gus
rides up with Lorena. July tells Gus it's all his fault; if he had done
what Gus said, they might still be alive. Gus tells him that it's also
possible Blue Duck would have killed him, too, and that yesterday's gone
on down the river and he can't get it back. He finishes the burying with
Gus' help and then assumes that they will pursue Blue Duck. However, Gus
tells him they both have more urgent business, and Blue Duck will meet
his fate someday, even if it's just a death from old age. July agrees,
but continues on north, still in search of Lorie. Gus and Lorena set up
a camp under some trees with the intention of waiting there until Call
and the cattle catch up.
The deaths of Roscoe, Joe, and Janey are very tragic and ones that no doubt
will be a part of both July's and Gus' memories forever. However, Gus
expresses the philosophy that most people of that time had to live by
to survive: death is an integral part of life and people often died sooner
rather than later. The only thing to do is to continue to live. Even Blue
Duck, one of the most evil killers on the plains, must be allowed to escape
once more so that life can continue. The character of Blue Duck is fully
developed by this chapter and it must be noted that he doesn't fit into
the same character type as the other Indians. Most of them kill white
people, capture and kidnap white women and children in response to the
loss of their lands and their forced imprisonment on reservations. Their
way of life was destroyed by the push west and there is cause to believe
now that they had good reason for their hatred. However, Blue Duck is
a killer who murders just for the sake of killing. He enjoys death in
its worst form and also enjoys torturing his victims. Today, he might
be called a serial killer. He has no revenge or hatred that he expresses;
he just kills.
The Hat Creek Company camps west of Fort Worth, and Call allows the hands to go into the town. It will be a long time before they see a town again, and they need the time to carouse a little. He, however, is very worried about Gus who has been gone for three days. He can't believe that he might be dead, because he's gotten out of so many scrapes in the past. The young hands and Po Campo stay behind as well, and Po Campo tells them that Gus won't catch Blue Duck. He says the Indian always has the biggest, fastest horse and that's how he gets away every time. He even reveals that Blue Duck had killed his three sons when he rode south to kill his cheating wife. Call just worries that he allowed Gus to go off alone to do a job that was too big for him.
When the hands return from town drunk, Po Campo is ready for them and serves
them a sugary cobbler he made from dewberries. He says the sugar will
cut the effects of the alcohol. The hands say they saw Jake gambling,
and that he behaved abominably toward them, acting like he was too good
for them. Dish Boggett just gets on his horse and says that now the next
excitement will be the old Red River.
This chapter serves to express the worry all the men feel that Gus hasn't
returned. It emphasizes the importance he holds among the men, even though
he hadn't really wanted to come to Montana anyway. It's also ironic that
Jake acts too good to really speak to men he had ridden with for so long.
Here he sits gambling and being arrogant while Lorie and Gus are in a
fight for their lives, a fight set in motion by Jake's refusal to protect
Lorie.
The weather on the plains turns wet again, but the cattle are kept moving.
Finally, they come to the banks of the Red River. They're all afraid from
stories they've heard about this river, but their fears prove to be unfounded.
Old Dog, the lead steer, leads the cattle right across, and the sun comes
out just as the last one is pulled from the mud. It prompts Po Campo to
begin to sing, but the men finally ask him why he only sings about death.
He says he sings about life, and life is sad. He says the songs don't
belong to him, anyway; they belong to the ones who hear them. Call continues
to camp by himself away from the hands, but one night he is startled to
hear the sound of his own voice talking to Gus and telling him he should
have killed Blue Duck when he had the chance. He's never been one to talk
to himself, but his worry over his longtime partner makes him voice his
thoughts out loud.
Po Campo's sad songs about life and death echo all the tragedies they have faced on this long journey and also echo Call's fears for Gus and Lorie. The relatively safe crossing of the river is in opposition to these ideas and emphasizes that what the men had feared for so long, ironically, never came to past while the realities of life and death that they had never even really considered had occurred.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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