Other elements that are present in this novel include symbols and metaphors. Symbols are the use of some unrelated idea to represent something else. Metaphors are direct comparisons made between characters and ideas. There are many symbols and metaphors used by the author such as:
 1. Once she even takes her favorite toy, a plastic Tinkerbelle figurine, 
        and holds its face to a flame. Before she can pull it away, the face begins 
        to melt. She puts bandages on it, but she wishes she could perform a skin 
        graft like she received. Of course, she knows that would mean cutting 
        Tinkerbelle into pieces. 
 2. Dad always tells bedtime stories that are always about him. 
        This symbolizes his need for his children to believe he is strong and 
        powerful. 
 3. It is a Joshua tree and a very old one at that. It exists 
        in a state of permanent windblownness, leaning over so far that it seems 
        ready to topple over. The Joshua tree symbolizes the Walls family and 
        the adversities they face. 
 4. Dad points to the top of the fire where the flames dissolve 
        into an invisible shimmery heat that makes the desert waver like a mirage. 
        He calls it the zone known in physics as the boundary between turbulence 
        and order. Dad says, It's a place where no rules apply, or at least they 
        haven't figured em out yet. You-all got a little too close to it today. 
        This zone is also a metaphor for the Walls family who seem to live somewhere 
        between turbulence and order. 
 5. Dad takes Jeannette out into the middle of the Hot Pot and 
        lets her go and every time she tries to grab on to him, he throws her 
        back into the middle again. She finally realizes she can't depend on him 
        and kicks and flails her way away from him and to the side of the water. 
        This is a metaphor for Dad's belief that children must be coddled. They 
        to sink or swim. 
 6. The road ahead seems to symbolize how Dad and Mom are constantly 
        looking for ways to avoid their responsibilities by always running away. 
        
 7. The children's new bikes symbolize freedom. 
 8. The lone cheetah in the zoo paces back and forth and is reminiscent 
        of Dad caged in the city. 
 9. Life is a drama full of tragedy and comedy. You should learn 
        to enjoy the comic episodes a little more. This is a metaphor for how 
        Mom has lived her life. 
 10. Instead of flat desert edged by craggy mountains, the land 
        rolls and dips like a sheet when you shake it clean. This is a metaphorical 
        description of West Virginia. 
 11. This first section of the third part of the book is full 
        of metaphorical ideas: the car which is so beat up and old that it won't 
        go any faster than twenty miles an hour represents the family and how 
        their lives unfold; the laughing Okies, who are stereotypically down and 
        out, but who laugh at the poor conditions of the Walls family; the change 
        in the land and atmosphere of West Virginia from Phoenix which also reinforces 
        the sense that the family is in even worse circumstances than they have 
        ever been; the house which also reinforces being down and out with its 
        downhill entrance, it's rotted floor boards, and strange odors; and Mom's 
        assertion that no matter how weird their environment, they will adapt. 
        
 12. The can of paint Jeannette used to try to make their house 
        look better freezes and can never be used again. This is a symbol of the 
        futility she faces when she tries to normalize her family. 
 13. The garbage in the hole beside their house, the rat that 
        lays down in Maureen's bed, and the frozen paint all represent the realities 
        of Jeannette's life that she just can't seem to overcome. 
 14. The Battle of Little Hobart Street where Jeannette and Brian 
        drove off Ernie Goad and the other bullies is symbolic of how being persecuted 
        you make stand up and fight against those who would persecute you. 
 15. Jeannette's identification with Francie Nolan, a character 
        in A Tree Grows in Brooklyn reflects the complicated relationship 
        she has with Dad. 
 16. The section about fighting is metaphorical to the Walls family 
        - they stick together, they have pride in themselves, and they stand against 
        their enemies. 
 17. One evening the whole family except Dad is sitting around 
        the living room. Mom keeps disappearing under the blanket until Brian 
        finally pulls it back and reveals that she has been sneaking pieces of 
        chocolate from a family-sized Hershey bar and then hiding it. She begins 
        to cry saying that she is a sugar addict just like their father is an 
        alcoholic. Brian grabs the bar and the kids break it into equal pieces 
        and wolf them down. This is part of the metaphor of Mom: she will take 
        food out of the mouths of her children. 
 18. Metaphorically, Dad and Jeannette's hysterical laughter about 
        the great location of their house is a symbol of how ludicrous their 
        lives are and what a fine line it is between laughter and despair. 
 19. After Jeannette tells Mom she has to get a job, Mom begins 
        painting a woman drowning in a stormy lake. That figure is a symbolic 
        of her hatred and fear of working to help anyone but herself. 
 20. Miss Jeanette Bivens, one of the English teachers who had 
        also been Dad's teacher, symbolizes success to Jeannette because she blossoms 
        under her guidance. 
 21. The Pentecostals who allow Maureen into their homes and church 
        symbolize saviors for Maureen who is a lost soul. 
 22. Jeannette just notices that the road back to Welch is dark 
        and empty after Dad uses her to scam a guy in the bar for money. It is 
        a metaphor for her life. 
 23. Jeannette is beginning to be very annoyed by her mother's 
        moods. Her positive thoughts are always overtaken by negative ones that 
        seem to sweep into her mind the way a big black flock of crows takes over 
        the landscape. 
 24. When Lori paints, she incorporates Gothic details like a 
        mist over a silent lake or a solitary crow in the branches of a bare tree 
        on the shoreline. This is symbolic of the darkness that frequently takes 
        over her life. 
 25. On the day Lori leaves, Jeannette eyes the pewter-colored 
        clouds that are the backdrop for most mornings in Welch. They remind her 
        of how isolated and forgotten the town is. 
 26. The familiar smell of Vitalis, tobacco, and whiskey surrounds 
        Jeannette as Dad hugs her goodbye. This smell symbolizes how much she 
        loves him. 
 27. When Jeannette arrives at Dad's place, he empties a bag on 
        the table, and it is filled with hundreds of dollars adding up to $950. 
        Also in one of the bags is a mink coat and he figures she can pawn it 
        for at least $50. He had won it all playing poker. So for her final year 
        at Barnard, Jeannette makes the payment with Dad's wadded, crumpled bills. 
        This behavior on Dad's part is symbolic of the deep love he has for his 
        daughter. 
 28. When Jeannette goes on long walks after Dad's death, she 
        usually sees Venus on the horizon. It is a symbol of the Christmas gift 
        Dad had given her and which she will always have. 
29. Outside at the Thanksgiving reunion of the family, it grows dark and the candle flames suddenly shift, dancing along the border between turbulence and order. This symbolizes the environment that this family lived in for all those years.
 Clapsaddle, Diane. "TheBestNotes on A Long Way Gone". 
          TheBestNotes.com.
            
            
            
            
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