This is the chief need for Charlie and it makes the book one with a 
        universal significance. Although the situation in which Charlie finds 
        himself is a bizarre one, with his rapid movement towards high intellect 
        and an equally rapid regression, it gives him the mental capacity to analyze 
        and voice his need for achievement, acceptance and love. He is also able 
        to fulfill these needs and then accept his regression in a philosophical 
        manner, though after much suffering. 
 This is another important theme of the novel, made more complex by the 
        dramatic changes in the hero, and in his awareness of people. The readers 
        see the injustice against him, first in the family, where egotism and 
        frustration blind his mother to his tremendous need for love and support. 
        Then the readers see him with the crowd at the bakery, where a few are 
        unreservedly kind and the others make him the butt of their tricks. Finally, 
        even the medical men, whose professed aim is to improve the sad lives 
        of mentally retarded people, treat him as an object' and a laboratory 
        animal. 
 Charlie is shown to have a tremendous need for love. Having been pushed 
        out by his family, he seeks it among his coworkers in the bakery. This 
        love is just affection and acceptance. He is not shown to have a strong 
        sex drive except after the operation. One notices that his genuine love 
        for Alice is constantly hampered by the repressive attitudes that have 
        been fostered by his mother since his adolescence. Yet, Alice and he do 
        not part ways, but have a deep friendship. A relationship develops between 
        him and his neighbor Fay. He likes and admires many of Fay's qualities, 
        but he seeks her only for a sexual outlet, not at an emotional level. 
        His love for Alice reaches fulfillment only in the final stages of the 
        book but its intensity comforts him for all the lost days, and his bleak 
        future. 
The novel is very much a part of popular fiction. Thus, Keyes has varied the mood throughout the book, and rarely allowed it to get too heavy or solemn. In spite of the hero being mentally retarded or perhaps because of it, there is a lot of humor in the introductory section. This gentle laughter gives way to excitement, as Charlie finds himself able to understand whole worlds of knowledge that he never knew existed! Interspersed with this, are the disturbing memories of his family. The seriousness of the mood deepens, as Charlie begins to view people around him with increasing skepticism and even disillusion. His frustration in love depresses him immensely and evokes ugly flashes from his adolescence.
At the climax, at the Chicago convention there is a farcical scene, with underlying bitterness. The sight of the learned gathering chasing a white mouse smarter than many of them' is hilarious. But this humor is superficial - almost macabre (black humor).
 The poignancy of his visits to his father, and then to his mother and 
        sister is heightened by the knowledge that they don't know about his approaching 
        decline. There is a brief respite with the fascinating Fay and later the 
        intense rapture of fulfillment with Alice. But the rest of this section 
        captures the deep anguish of a human being who has enjoyed the heady heights 
        of mental activity, only to know that it is being snatched away, and even 
        his mind is not his own to keep. As in classical tragedy, when the suffering 
        reaches an unbearable pitch, the individual, wanting to keep his dignity 
        intact, pulls himself together and forces himself to accept his fate. 
        This is how the novel ends. 
Daniel Keyes was born in New York and had a varied and interesting career profile, before he settled down to creative writing. He has worked in the US Maritime Service, and then he worked as an editor and a fashion photographer. Meanwhile, he got a B.A degree in psychology, a subject that has been of enduring interest to him.
Still later, Keyes taught English in city schools in New York, and simultaneously worked for his post-graduate degree in English and American literature. After getting his M.A., he has taught Creative writing at Wayne State University and Ohio University, where he was a professor.
Flowers For Algernon was his first novel and won the Nebula Award for the Best Novel of the year, from the Science Fiction Writers of America. First published in 1966 by Harcourt and in 1968 by Bantam, the novel, initially enlarged from a short story, has been through over thirty printings. It has, since then, been produced as a stage play and as a musical in England, France, the US, Poland and Japan. The novel was also adapted for the movies under the name Charly.' Cliff Robertson, in the title role, won an Oscar.
 Obviously fascinated by psychology and having majored in the subject, Keyes 
        went on to write three more novels with a psychological background. The 
        Touch - (1968) on the terrible effects of a radiation accident; 
        The Fifth Sally (1980) whose subject is the multiple 
        personality disorder; and Until Death about a double murder 
        in Florida. He has also written the following books in the category of 
        non-fiction: The Minds of Billy Milligan 
        (1981) an award winning study of a man acquitted of guilt for serious 
        crimes on account of multiple personality disorder. This was followed 
        by The Milligan Wars: A True Story 
        Sequel (1994). In 1986, he wrote Unveiling Claudia 
        about the secrets behind a woman's false confession to murder. 
 Clapsaddle, Diane. "TheBestNotes on A Long Way Gone". 
          TheBestNotes.com.
            
            
            
            
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