This is the chief need for Charlie and it makes the book one with a
universal significance. Although the situation in which Charlie finds
himself is a bizarre one, with his rapid movement towards high intellect
and an equally rapid regression, it gives him the mental capacity to analyze
and voice his need for achievement, acceptance and love. He is also able
to fulfill these needs and then accept his regression in a philosophical
manner, though after much suffering.
This is another important theme of the novel, made more complex by the
dramatic changes in the hero, and in his awareness of people. The readers
see the injustice against him, first in the family, where egotism and
frustration blind his mother to his tremendous need for love and support.
Then the readers see him with the crowd at the bakery, where a few are
unreservedly kind and the others make him the butt of their tricks. Finally,
even the medical men, whose professed aim is to improve the sad lives
of mentally retarded people, treat him as an object' and a laboratory
animal.
Charlie is shown to have a tremendous need for love. Having been pushed
out by his family, he seeks it among his coworkers in the bakery. This
love is just affection and acceptance. He is not shown to have a strong
sex drive except after the operation. One notices that his genuine love
for Alice is constantly hampered by the repressive attitudes that have
been fostered by his mother since his adolescence. Yet, Alice and he do
not part ways, but have a deep friendship. A relationship develops between
him and his neighbor Fay. He likes and admires many of Fay's qualities,
but he seeks her only for a sexual outlet, not at an emotional level.
His love for Alice reaches fulfillment only in the final stages of the
book but its intensity comforts him for all the lost days, and his bleak
future.
The novel is very much a part of popular fiction. Thus, Keyes has varied the mood throughout the book, and rarely allowed it to get too heavy or solemn. In spite of the hero being mentally retarded or perhaps because of it, there is a lot of humor in the introductory section. This gentle laughter gives way to excitement, as Charlie finds himself able to understand whole worlds of knowledge that he never knew existed! Interspersed with this, are the disturbing memories of his family. The seriousness of the mood deepens, as Charlie begins to view people around him with increasing skepticism and even disillusion. His frustration in love depresses him immensely and evokes ugly flashes from his adolescence.
At the climax, at the Chicago convention there is a farcical scene, with underlying bitterness. The sight of the learned gathering chasing a white mouse smarter than many of them' is hilarious. But this humor is superficial - almost macabre (black humor).
The poignancy of his visits to his father, and then to his mother and
sister is heightened by the knowledge that they don't know about his approaching
decline. There is a brief respite with the fascinating Fay and later the
intense rapture of fulfillment with Alice. But the rest of this section
captures the deep anguish of a human being who has enjoyed the heady heights
of mental activity, only to know that it is being snatched away, and even
his mind is not his own to keep. As in classical tragedy, when the suffering
reaches an unbearable pitch, the individual, wanting to keep his dignity
intact, pulls himself together and forces himself to accept his fate.
This is how the novel ends.
Daniel Keyes was born in New York and had a varied and interesting career profile, before he settled down to creative writing. He has worked in the US Maritime Service, and then he worked as an editor and a fashion photographer. Meanwhile, he got a B.A degree in psychology, a subject that has been of enduring interest to him.
Still later, Keyes taught English in city schools in New York, and simultaneously worked for his post-graduate degree in English and American literature. After getting his M.A., he has taught Creative writing at Wayne State University and Ohio University, where he was a professor.
Flowers For Algernon was his first novel and won the Nebula Award for the Best Novel of the year, from the Science Fiction Writers of America. First published in 1966 by Harcourt and in 1968 by Bantam, the novel, initially enlarged from a short story, has been through over thirty printings. It has, since then, been produced as a stage play and as a musical in England, France, the US, Poland and Japan. The novel was also adapted for the movies under the name Charly.' Cliff Robertson, in the title role, won an Oscar.
Obviously fascinated by psychology and having majored in the subject, Keyes
went on to write three more novels with a psychological background. The
Touch - (1968) on the terrible effects of a radiation accident;
The Fifth Sally (1980) whose subject is the multiple
personality disorder; and Until Death about a double murder
in Florida. He has also written the following books in the category of
non-fiction: The Minds of Billy Milligan
(1981) an award winning study of a man acquitted of guilt for serious
crimes on account of multiple personality disorder. This was followed
by The Milligan Wars: A True Story
Sequel (1994). In 1986, he wrote Unveiling Claudia
about the secrets behind a woman's false confession to murder.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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