1.) d
2.) a
3.) a
4.) b
5.) c
6.) b
7.) d
8.) a
9.) b
10.) d
11.) b
12.) c
13.) a
14.) d
15.) d
1.) Make an extended family tree illustrating the "family" of the
Westing heirs and how they relate to each other. How does this tree change
over the course of the novel? What relevant facts do we learn, how is
that significant? What does this tell us about the nature of family?
2.) Examine how this novel works as a mystery. Begin with the idea that it's
supposed to be a "whodunnit" but becomes something else entirely.
Is it a satisfying mystery, does it fulfill the needs of mystery readers?
3.) Patriotism is important to Sam Westing, so what portrait of America
emerges in miniature at Sunset Towers? What observations on class, race,
religion work, and family emerge by looking at the story from the perspective
of the Westing game as an American experience?
4.) Is there any way one can read this book in an unsympathetic light: that
is, that it's about unlikable characters who "get what they deserve"?
How does that change the way we understand the book and its themes?
5.) What does the "mistaken" element of the story - the wrong
choice of tenant - change the nature of the game? Or does it change the
game at all? Consider a possible scenario if this mistake wasn't made.
6.) The heirs hold different views on Sam Westing's intentions behind
the Westing game. Examine those intentions and consider what it tells
us about these characters, as well as the Westing game in general.
7.) How realistic is this novel? Or rather, what parts are necessarily unrealistic
and which parts are more like the real world in contrast? What does this
tell us about Raskin's intentions as a writer, about the kind of lessons
we're to derive from the novel?
8.) How do perceptions affect the developments in the plot? Consider the interpretations
of the clues by the heirs, as well as the way the characters are perceived
by the people around them. How important is the act of interpreting information,
as opposed to the interpretation itself? What does that tell us of the
person doing the interpreting?
9.) Heirs have to fill in their "position" when they sign for their
letters about the Westing estate. With that in mind, how does work function
in the novel? What work histories do we know of which characters, and
what does that tell us? What are the work aspirations of the younger characters?
How does this all tie into the notion of America as a land of opportunity?
10.) Could anyone else besides Turtle Wexler have solved the Westing
game? Why or why not? Was the Westing game a truly fair game, with anyone
able to win?
11.) Examine closely the actual will of Sam Westing and how it relates
to the events of the novel. In what way is it a guiding document not just
for the Westing game, but for the behavior of the Westing heirs? What
parts of the will go ignored, and why? What are the lessons ultimately
learned from this document?
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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