1. Maybe they're already here. End of Chapter 54 (page 214)-
Charles Halloway
Charles first utters these words with regard to the fact that eventually the
carnival will return, and perhaps not in a recognizable shape. The boys
repeat the quotation. It is important because and ending point of the
novel is the fact that evil exists on all levels, and you must be aware
of it to defeat it. It is even possible that evil is already around us,
and we're simply not paying attention to it.
2. Never in his life had he focused so nearly to a person, as if
she were a puzzle, which once touched together might show life's greatest
secret. End of Chapter 44 (page 168) - Narrator
One minor theme of the novel is the lack of attention being paid to important
things. As Charles is dying, he focuses on his murderer, the Dust Witch.
It is only this focus that allows him to laugh, breaking the spell of
death.
3. Do you really imagine that books can harm me? Is naivete really
your armor? Middle of Chapter 41 (page 156) - Mr. Dark
A minor point made continually through Charles is the idea that there is too
little action combined with too much knowledge. Dark mentions this question
when Charles holds a bible out to him. It is at this point that Charles
realizes he must act, not think, to defeat the carnival.
4. " . . .If you're a miserable sinner in one shape, you're
a miserable sinner in another. Middle of Chapter 40 (page 151)
- Charles Halloway
As Charles attempts to explain the inner workings of the carnival to the boys,
he suggests this is the one thing people don't realize. It is indicative
of people who are not content with their lives. They believe changing
something about them will change who they are.
5. That's the fuel, the vapor that spins the carousel, the raw stuffs
of terror, the excruciating agony of guilt, the scream for real or imagined
wounds. The carnival sucks that gas, ignites it, and chugs along its way.
Middle of Chapter 39 (page 148) - Charles Halloway
As Charles explains how the carnival works to the boys, he mentions this.
The carnival feeds off of people's terrible emotions. It is only those
emotions that force it to run. Without spitting these emotions out of
us on a constant basis, evils like the carnival would not be permitted
to exist.
6. Two lines of Shakespeare said it. He should write them in the
middle of the clock of books, to fix the heart of his apprehension: By
the pricking of my thumbs, / Something wicked this way comes.' End
of Chapter 37 (page 137) - Narrator
As Charles is waiting for the boys, he considers the literature on evil. This
particular Shakespearean line comes to mind. The book, obviously, borrows
its name from the title.
7. For the thing it most wanted were hidden in the dark. Middle
of Chapter 34 (page 121) - Narrator
As the carnival parades down Main Street searching for Will and Jim, the narrator
mentions this line. It is definitive in terms of the carnival's nature.
The carnival does not crave the simplistic life most have. The carnival
needs darkness and evil to survive, particularly the darkness and evil
hidden in souls.
8. Too late, I found out you can't wait to become perfect, you've
got to go out, fall down, and get up with everyone else. Middle
of Chapter 28 (page 99) -Charles Halloway
As Charles and Will have a heart-to-heart discussion on the lawn after he
brings him home from the police station, Charles mentions this phrase
to Will. It deals with the lack of contentment with life theme. Charles
is attempting to teach Will that you must make mistakes to learn from
them.
9. There are smiles and smiles. Learn to tell the dark ones from
the light. Middle of Chapter 28 (page 98) - Charles Halloway
During their heart-to-heart discussion on the lawn, Charles suggests that
someone's happiness is not indicatives of their goodness. He suggests
that the people with the smiles are often the most evil, and that it is
an important skill in life to be able to tell the evil from the good.
10. That was the October week when they grew up, and were never
so young anymore . . . Prologue (page 2) -Narrator
This sentence ends the prologue, and begins the story. It defines and sets up the loss of innocence theme readers will feel for the remainder of the story.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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