Jim asks if the carnival buys souls, and Charles says no, because people
are eager to give their souls away. Charles further says that they're
not dealing with the devil, only a creature that has learned to live off
of souls. Live souls function as fuel. The evil survives off of sins committed
against people. Charles mentions that he's talking too much, but he goes
on anyway. Jim asks if the carnival kills, but Charles says no, they only
use death as a threat because death is nothing, and that's why it scares
people. People can only fight something, but they have difficulty dealing
with nothing. The carnival builds on that without telling people that
if they're miserable in one form, they will be in another form because
they won't be losing their brain, only their form. That creates madness,
and when victims have no one else to turn to, they turn to the carnival,
which promises to listen and help. Charles describes each of the freaks,
and the possible sins they've committed. He then draws a map, and they
try to decide what to do. Will suggests methods of death like those in
storybooks, but Jim says it won't work. Will says if book methods won't
work, they must burn the carnival down. At that moment, though, they hear
the door to the library open and close. Charles tells the boys they must
hide.
Bradbury, through Charles, emphasizes the fact that people have little
regard for their souls. He further emphasizes that all evil is not the
devil. There are smaller forms of evil that are just as bad. The description
of the freaks and the possible sins they've committed is helpful in that
one can relate to those sins and see what happens if they're carried too
far. The attempted planning session is spoiled at the end, signifying
that they couldn't plan to end this evil if they tried.
Charles notes the progress of a shadow toward his position. Dark emerges
from the shadows, introduces himself, and asks where the boys are hiding.
Charles plays dumb, and Dark threatens to kill him. Charles says he won't
because he's too smart. Dark realizes Charles has researched the carnival,
but Charles says he only knows enough about the carnival to be scared.
Dark suggest that Charles should be scared, as he has a friend outside
who could fix it so Charles seems to have died of heart failure. Charles
immediately deduces that the Witch is waiting outside and Dark confirms
his suspicions. Dark notices that Charles is holding a Bible, and says
that he is naive to think a book could harm him. Dark grabs the book and
throws it in the trash. Dark quickly guesses Charles' age and says that
if he helps him within fifteen seconds, he'll shave ten years off of him.
Time expires, and Dark tells him to listen to his heart while he finds
the boys. As Dark leaves, calling to them, Charles feels as if his heart
will tear free.
Dark is an increasingly intimidating figure, as displayed by this chapter.
Dark is unafraid of killing to get what he want, but his intelligence
leads him to kill only in a manner where he will not be discovered, so
as to allow his carnival of evil to continue. Religious symbolism is again
introduced through Charles holding a Bible. Bradbury is making a clear
statement that religion, in and of itself, will not save a soul from evil.
The mere suggestion that Charles might die of heart failure is enough
to scare Charles from fighting Dark, making Dark a more powerful figure.
The boys stay hidden in their separate places while Dark calls out to
them, trying to find them. Dark says that one of them still wants what
he's offering, and Jim, unthinking, internally says it's him, but then
takes it back. Dark continues to search, telling Jim that if he gives
himself up, he'll get a free ride on the carousel. Dark then tries the
psychological torture on Will, asking if he knows the location of his
mother. Dark paints a tale that has Will's mother riding the carousel
until she's aged far too much. The story scares Will, and he wishes for
his father, who is preoccupied with his pounding heart. Dark continues
with the story that now has Will's mother knocking on Jim's front door
for help, but to no avail. Will begins to sob, and Dark quickly finds
both boys.
Despite all the boys have been through, Jim still wants his ride on the carousel. Dark seems to be able to sense this in Jim. When his enticement toward Jim does not reveal the boys, Dark starts on Will. Dark knows that Will has an inability to hear of suffering, so he picks the closest target, and creates a disgusting picture of Will's mother whose imaginary carousel ride has made her a very old woman who no one will help. Even though Will wishes for Charles to help, Charles is far too preoccupied with the notion that his heart will explode to help Will. Will's sobbing leads Dark to both of the boys, demonstrating that sometimes evil does win.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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