Miss Foley is considering the mirrors placed throughout her house. She
believes she can feel them waiting for her in each room. She compares
the feeling to the way one might have knowledge of freshly fallen snow
without ever glancing out the window. Foley noticed the extensive network
of mirrors in her house some years ago. She believes that noticing the
mirrors or paying close attention to them will cause them to metaphorically
crack, leaving the mirror-gazer to drown in the depths of time. When the
boys run away, though, she feels the need to check each mirror in the
house. She is, though, afraid that the network of mirrors will multiply
into armies of herself, causing complete suffocation. She tries to consider
what she should do about Will, Jim, and the nephew. She then considers
what a strange phrase the nephew is. She wonders why she doesn't use
more possessive terms to describe the boy. When he came to her door days
ago, he didn't belong. She was waiting for some unexplainable proof. While
they had been at the carnival during the evening, the nephew had insisted
on seeing and doing everything. She glances out toward the lawn where
the jewelry is still lying in the grass. Foley supposes the nephew placed
it there so there would be no possible way for Jim and Will to get in
the way of her ride on the carousel to which he has left her a ticket.
She believes she must act quickly, and that no one must stop her from
riding the carousel. As a result, she phones the library and tells Charles
to meet her at the police station in ten minutes.
Foley uses winter imagery to symbolize the mirrors and summer images
to symbolize the carousel. The cold of the reflection symbolizes a lack
of hope. Summer's warmth symbolizes happiness, something Foley feels she
cannot achieve with in her current state. Foley obviously believes that
what she is, as reflected, is simply not good enough. She hates her reflection.
As a result, she feels she must change that quickly. She thinks anything
is better than what she is. She knows the boys are the only people who
can stop her. She must stop them first, and she believes taking legal
action, following the nephew's lead, will stop them, thereby helping her.
The ambulance and the police car pull up at the same crossroad while heading back into town. One of the paramedics mentions that he could have sworn Cooger was dead when they arrived at the circus. The policemen laugh and joke before the cars pull away from each other. Will and Jim give false names, again, as well as false addresses. The patrol cars drop them off at the false address, and the boys pretend to enter the houses while the cars drive away. Will glances at Jim and realizes that he still has his free tickets to the carnival. Will has thrown his away. He thinks about Jim hanging on to his and recognizes the fact that Jim still holds a love for the carnival, despite the problems they've encountered. Will suggests, to Jim, that they should consult the chief of police, because he would believe them. Jim, however, says that at this point, no one would believe them because he himself is having some difficulty believing the events of the past twenty-four hours. Will keeps trying, suggesting that they must find someone higher up, now that they know what the score is. Jim questions Will as to what the score' truly is.
The carnival has done little that cannot be explained. Jim hints that if there were a way to apologize to Cooger, they would. Will is immediately angry. He has no desire to do business with them. He goes so far as to consider them ulmers and goffs, creatures from boys' dreams. Jim thoughtfully ruminates Will's childish choice of words while Will continues to yell at him. Will intimates that Jim should be very afraid of the carnival in light of what he's seen. Jim tells him to cut it out, but Will continues. Will says he doesn't like to be thirteen all the time either, but neither of them truly wants to be twenty (despite the fact that they'd talked of it all summer) because being twenty involves a seriously unnatural process. Further, neither of them would know what to do when they hit twenty anyway. Jim says even if he were twenty, he wouldn't abandon Will. Will reassures him that he would. Jim protests, but Will alleges that because it's true, he's glad the carousel is broken. Jim gets angry and says that it's Will's fault that it's broken. Will gets angry again, making fists, asking Jim if he should have just let Cooger have his ride, with or without Jim, and get bigger, meaner, and angrier. Jim tries to shush him, telling him it doesn't matter because it's broken now anyway. Will plays on the scenario that once it does get fixed, the carnival will be out to get them, and if Jim joins them, they'll hunt Will down alone. Jim says he'd never do that to Will, and Will reminds him that everything must happen in its own time.
Suddenly the boys hear loud voices from the police station, and they
sneak to bushes to listen to the conversation. Miss Foley and Will's father
are talking about the burglary without mentioning the nephew. Will hopes
this is the evidence Jim will need to understand the entire carnival is
a trap. Miss Foley continues and says she doesn't want to prosecute, but
if they boys aren't guilty, they shouldn't be missing. Will jumps through
the open window, trying to exonerate them.
The attentiveness of the paramedics is ignored by the police officers, further indicating the ultimate stupidity of adults. Will and Jim feel trapped in a web of lies, so they continue to lie when they give a false location for their homes. Jim holds on to his carnival tickets because, much to Will's dismay, he still hopes to be involved with the carnival and ride the carousel. Will tries, desperately, to make him see the ultimate problems with the carnival and aging before it's time, but Jim can't understand. He can only see the happiness of the future. Will sees the problems and being left completely alone by Jim. Will's optimism is again demonstrated at the end of the chapter when he reveals himself to the authorities. He still thinks someone can help him out of the mess they're involved in.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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