Tom tries to find clues in Savannahs apartment about why she would try to kill herself. He reads all of her poems and remembers how Savannah used to hide presents on Christmas and make her family find them. One year, she bought her mother an opal ring and hid it too well to find. She became a traditional gift-giver after that Christmas.
While going through some of Savannahs things, Tom finds the yearbook of Renata Halpern. He does not recognize her, but her name is familiar. Tom finds a letter from a magazine that agreed to publish one of Renatas poems and congratulated her on the publication of her first childrens book. Tom reads the poem, and he is certain Savannah wrote it--despite its references to Judaism.
Tom asks Eddie Detreville who Renata was; Eddie says he did not know. Tom
decides to call her house to ask about her. He pretends he was a boy who
signed Renatas yearbook and speaks with her mother. Tearfully, she tells
him Renata had killed herself two years before. Tom reads Renatas childrens
book, which he purchased earlier that day. The book is titled The Southern
Way.
This chapter provides rising action to the story. Until this point, most of the mystery has taken place in the stories of Toms childhood. This plot twist complicates Savannahs problem.
Renatas poem and book are very obviously written by Savannah. Each references
her peculiar childhood. The interjection of book, The Southern Way,
is known the frame-story technique. A frame-story is when a different
story is interjected into the plot of the main story.
Tom goes to Susans office and confronts her about Renata Halpern. He is incensed that she did not tell him about Renata. Susan tells him to calm down. Susan tells Tom that Renata was Savannahs friend; she says she will not tell him anymore.
Tom tells Susan that he has told her all the stories of their childhood. Susan tells him he is lying; he has only told her the ones that he keeps to preserve his memory--not the ones that really count. Susan admits that she has been taping their conversations and playing some of them for Savannah. Tom is outraged.
Susan tells Tom that it is his self-pitying male ego that she fears the most when he finally goes to see Savannah. They enter into a long discussion about the American male. Tom says that being male is much more difficult than Susan can imagine. He considers himself a feminist; however, his male friends tease him and females do not believe him.
Finally, Susan tells Tom about Renata--she was Savannahs friend, a lesbian, and she was Jewish. Renata helped Savannah through a psychotic episode before she died. When Renata killed herself, Savannah went downhill. She began wandering the streets. She could remember nothing from her childhood. One night, Savannah had a dream about three men that came to their island. She could not remember what happened, but she wrote the childrens story right after the dream. She signed Renatas name to the story as an act of homage.
It was after the publication of the story that Savannah decided to become Renata. The first time Susan met Savannah, she told her she was Renata Halpern. Susan was able to figure out that Savannah was lying because she could not convince Susan that she was Jewish.
Tom becomes very angry with Susan for tying to help Savannah become someone else. He asks her what she would do if he helped Bernard do the same thing--escape form his family and assume another identity. Susan says it is a different story because Bernard has not tried to kill himself. Tom says just to give Bernard time. When Tom says this, Susan becomes extremely angry and throws a dictionary at him. The dictionary hits his nose, and he bleeds. Susan feels terrible and offers Tom some Valium. She tells Tom she will buy him lunch and explain further about Savannah, Renata and herself.
Susan and Tom go to an expensive French restaurant. Susan tells Tom that Savannah
has blanked out entire periods of her life. She calls them her white periods.
Susan tells Tom that Savannah remembers far more than he does of their
early childhood; Savannah remembers their mothers brutality. Tom says
that Savannah is mixing their mother up with their father. Tom tells Susan
how hard it is for him to hear that Savannah was trying to become a new
person. Susan tells Tom that if he continues to help her, she will give
him back his sister. Susan takes Toms hand, puts her lips to it, and
bites the flesh. That is what Tom remembers best about that afternoon
with Susan.
In this chapter the mystery of Renata Halpern develops. Renata apparently had mental problems, just like Savannah. Renata helped Savannah through one of the most difficult periods of her life, then killed herself. Savannah tried to become Renata. In a way, this total identity change makes sense because Savannah could barely remember the life of Savannah Wingo.
Tom and Susan grow more intimate. Tom mentions that Susans imperturbable nature disturbs him. He then is able to make her so angry that she throws a dictionary at him. Their discussion about the difficulties of being a man or a woman are central to this novel. While this novel deals mainly with the deterioration of the American male, it also considers gender, class, and ethnicity. Susan and Tom are each correct about the difficulties that are associated with their genders; yet, they are unable (or unwilling) to understand the others point of view.
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