The writer describes the blessings of social order at the end of the
twentieth century. This social order is so logical and simple that it
may be hard for his readers to believe that this manner of organizing
society is only one century old. Just one hundred years ago, people living
under the industrial system believed it to be the best way to live, destined
to last and in need only of small reforms. The writer adds that in the
present book, he intends to make this historical lesson pleasant for readers
by casting it as a romantic narrative. He warns the reader that she/he
may find Doctor Leete's explanations trite, but that s/he should take
into account the fact that Doctor Leete is describing things to someone
for whom all of it is totally new. The writer adds that most writers who
treat the theme of the future devote themselves to writing about expected
future improvements, but it is also important to look backward at the
progress the present civilization has made. Finally, the writer notes
that he will step aside and let Mr. Julian West speak for himself.
The preface is a fiction that is disguised as a historical document. In it the author assumes the persona of a man who is writing in the late twentieth century, but it is helpful to remember that this text addresses more than one possible audience: a fictional audience in the year 2000 and Edward Bellamy's late nineteenth-century readers. Readers from Bellamy's own time may have assumed that industrialization was the height of civilization and needed only a few reforms to make it last forever. However, this assumption is difficult for his imagined, late twentieth-century readers to accept. They live in such a vastly improved society that they may find it difficult to believe that conditions were so much worse only one hundred years earlier.
Such an introduction would certainly startle Bellamy's readers and pique their interest about what could be superior to industrialization. It is a smart tactic on Bellamy's part. The nineteenth century gave people the idea that everything was getting better year by year and that civilization was marching forward to a brighter future. In writing as if from the point of view of the future, and looking back at the poor, deluded people of the past, Bellamy critiques this ideology of progress.
Bellamy's utopia is created as an answer to the problems of industrialization,
with all its shocking consequences, which he regards as illogical, stupidly
complex, and against common sense. He will write about it as if this society
were already in place and functioning smoothly for one hundred years.
His representative of the industrial system will be Mr. Julian West, and
his representative of the enlightened new society will be Doctor Leete.
The narrator, Julian West, announces that he was first in Boston in 1857. He realizes that his readers of the year 2000 will be shocked that he is a thirty year-old man asserting that he was alive in 1857. At that time, the civilization of the present day did not exist. Society was divided into four classes or nations, including the rich and the poor, the educated and the ignorant. He was rich and educated, so he derived the means of (his) support from the labor of others, rendering no sort of service in return. His ancestors had lived the same way, and he expected that his descendants would, too. His grandfather had accumulated some wealth, which his family had lived on ever since. The original sum was not that large, but investments had made the money grow. This mystery of use without consumption will seem odd to the present readers, but it was common during Julian West's time. People had been trying to regulate interest for generations, but by the late nineteenth century, they had largely given up.
To give his readers an idea of his society, Julian West compares it to a big coach. Most of the people were harnessed to it and forced to drag it along a rough road. Some people sat on the coach and never got down, despite the struggles of those below to pull it over the rough spots in the road. The ones riding had a nice time, which they spent discussing the people below. A seat on the top was in great demand but very hard to attain, because those on top were allowed to reserve their seats for whomever they liked, usually their children. But the seats were unstable and often people would be thrown from them and have to pick up a rope and begin pulling the coach.
Julian admits that the reader will wonder how the people on top could be so unfeeling about those below, especially when their own weight added to the burden of their fellow human beings. In fact, they often expressed great sympathy for the workers below them. When things got very bad, they would call out encouragement or promise rewards in the next life, and many of them got together and contributed money to buy salves and medication for the injured. However, the main effect of seeing the sufferings of those below was to increase the value of the seats above.
While people of the twentieth century will find all this hard to believe, they must take into account the two facts that supported this state of affairs. First, people believed there was no other way to run society and second, those on top believed they were different from and better than those who pulled the coach, and they therefore deserved their seats on top.
In 1887 Julian West is thirty and engaged to Edith Bartlett. Her family
is also wealthy. They are to be married as soon as their house is built.
Each class of people, whom Julian West calls nations, lives in separate
areas of the city. The delay of the completion of his house is caused
by labor strikes. Strikes had been common from the time of a great business
crisis in 1873. Julian West knows his readers will recognize these dates
as the first stages of what was to become the modern industrial system.
The people of the time, however, were confused about what was happening
to them. The relation between worker and owner had suddenly become problematic,
and workers had the idea that they could improve their conditions. They
demand higher pay, better housing, shorter hours, and the so forth. People
of the wealthy class all agree that there is no way to give the workers
what they want because there is not enough wealth in the world to satisfy
them. They believe either that the workers will one day realize this and
accept their lot in life, or that the workers will make a mess of things
after gaining so much power. The latter is an extreme opinion, but one
that Julian West often hears in his circle of friends. The ruling class
is especially frightened by the anarchists. Julian West is no different
from his frightened contemporaries, and his animosity toward the workers
increases when his wedding plans are delayed.
In Chapter I the reader sees the beginning of the narrative that is promised in the prologue. Julian West is the first-person narrator. He is a nineteenth-century man who has somehow been dislocated into the twentieth century. He has clearly absorbed the values of the twentieth century and looks back on his own time with surprise at its ignorance and cruelty. He earnestly wants his readers to understand how a person of his time could come to be so indifferent to the sufferings of others. He is always very much aware that his twentieth-century readers will find his description of the class system of the nineteenth century exaggerated, since they are so far from such a system themselves.
Bellamy addresses a fictional audience, the imagined audience of the year 2000, but his narrator is a man from the nineteenth-century world. Bellamy's readers in 1888 would have been forced into the future, with a man from their own world as their guide. While this work is a critique of conditions that existed in the nineteenth century, Bellamy provides distance by setting it in the future. This technique is necessary, because if his readers assume their own social system to be the best one possible, then they will not be able maintain enough distance from it to see its faults. However, if the author gives them this distance by projecting them into a utopian society one hundred years into the future, they will be able to look at their own time with more critical eyes.
Bellamy draws an analogy between the class system of the United States and a huge coach pulled not by horses, but by people. The resulting image gives force to his implied argument that the class system is unfair. It enables him to critique several elements within the class system: inheritance, interest income, the relative stability of class status, the futility of philanthropy as a solution, and people's attitudes to the inequalities of the system.
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