Esperanza describes how similar she is to her sister Nenny--not in obvious
ways, like their facial features, but how alike their laughs are, for
example. They see a house that they both agree looks like Mexico in some
way. They can't explain how, and no one but the two sisters understand
it.
Esperanza reveals her close bond with Nenny in this chapter, a bond
that feels all the stronger because Rachel and Lucy, their closest friends
outside the family, don't understand it. It seems, as well, that part
of the sisters' bond is their heritage: they understand what Mexico is
(that house) in a unique way.
Esperanza describes a junk store in her neighborhood that she and Nenny
visit sometimes. It is dirty and a little mysterious (the owner will only
turn on the lights for serious shoppers, and the aisles are narrow and
maze-like). One day the owner shows them a music box: not a pretty little
toy with a ballerina on top, but a wooden box, and when he winds it up
it makes beautiful and mysterious music, like if you were running your
fingers across the teeth of a metal comb. Esperanza is so moved she turns
away, and Nenny doesn't understand how special it is and tries to buy
it, but the man tells them it isn't for sale.
Cisneros draws a parallel between Esperanza and Gil: both are deeply
attuned to beauty, even in their impoverished surroundings. Their understanding
of that beauty is unspoken, however, and even Esperanza does not, perhaps,
understand it fully. She says she turns away so that Nenny will not see
how stupid she is--she does not explain the nature of her feelings or
even her expression of them. Examples of Esperanza's heightened sense
of awe appear often throughout the book, in chapters like Laughter and
Darius and the Clouds.
Meme Ortiz, whose real name is Juan, lives with his mother in the house
Cathy left behind when she moved away. Meme has a sheepdog, and the dog
and his owner are as clumsy and strange as the house they live in, which
was built by Cathy's father and has slanted, crooked floors and stairs.
In the backyard is the tall thick tree that the neighborhood kids used
for the First Annual Tarzan Jumping Contest, which Meme won--breaking
both his arms.
Esperanza highlights the poverty and sadness of her neighborhood in
this chapter. She describes a backyard that is mostly dirt, and black-tarred
roofs. And even though Cathy's father supposedly built the house Meme
now lives in crooked on purpose, Esperanza seems to feel it is somehow
pathetic, describing the steps as all lopsided and jutting like crooked
teeth. Meme himself is also pitiful: he is willing to break both his
arms to win the Tarzan contest, which suggests extreme recklessness or
clumsiness.
Louie is a Puerto Rican boy who is friends with Esperanza's brother
and lives with his family in the basement of Meme's house. He has a girl
cousin named Marin or Maris or something like that; she is older and
wears dark nylons and makeup. Louie's other cousin showed up one day with
a big new yellow Cadillac and told everybody to get in. They rode up and
down the block until they heard sirens, and then Louie's cousin told everyone
to get out. He drove away quickly but smashed into a lamppost, and the
police put handcuffs on him and took him away.
This chapter introduces Marin, an older girl who seems to know about
adult things that fascinate Esperanza, like boys and makeup. She is mysterious:
she stands in the doorway singing the same song over and over, but can
never come out, because she has to babysit. Louie's other cousin, whose
story is told in this chapter, is another example of the poverty that
haunts their neighborhood. He steals a beautiful, flashy car--not just
a practical car, taken because he really needs it, but an extravagant,
luxurious yellow Cadillac. He brings it home to show it off, and to Esperanza
the event feels almost like a parade. The extreme excitement of the moment
is made all the more striking by how abruptly it ends: they only drive
up and down the alley six times before the police come, the car is destroyed,
and Louie's cousin is taken away.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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