He is a young man who is not a hero in the conventional sense of the
term. He places no premium on values such as duty, honor, glory, and courage.
There are many men in the world who prefer death to dishonor, but Henry
is not one of them. If, in order to save his life, he should face the
shame of having deserted the army, he certainly doesn't mind doing so.
He turns his back to the war, mainly because he feels that it did not
concern him. Nor does he mind living off of his family, asking for money
to provide him and Catherine a way through in Switzerland. He makes a
separate peace for himself but is not totally convinced of it; he still
feels like a truant schoolboy. During the war, however, he shows that
he has the capacity to think on his feet and to make instant decisions.
He distinguishes between lust and love and between sacred and profane
love. He advocates the philosophy that love means lack of selfishness,
service, and sacrifice. Though the priest is stationed in Gorizia, he
does not let the horrors of the war taint his vision. He is happy in his
love for his god and nothing touches him there.
He represents the profane love which is nothing but lust and results
in syphilis. He is overworked and though he is an excellent surgeon, he
is weighed down by the pressure of working round the clock and throughout
the year. He introduces Catherine to Henry and hopes that she will be
good to him and for him. It is interesting to note that Henry's philosophy
of life towards the end of the novel is a harmonious mixture of the priest's
and that of Rinaldi's.
She is hit by the war even before she meets Henry. Her childhood fiancé
was blown to pieces and she carried his riding crop as a remembrance.
Perhaps that is the reason why she appears overwrought, excitable, and
anxiety-ridden when we first meet her. She is, of course, wounded. Unlike
her friend Miss Ferguson, she is not overtly religious. For her, LOVE
is religion, but its morals are not well defined. She is created by Hemingway
as an ideal woman: so devoted to her man that she will die in the process
of doing anything that he wants.
She is a close friend of Catherine's. She is shocked by Catherine's apparent
lack of morals but at the same time, is concerned with her safety and
well being.
The plot in this novel is circular: in the beginning of the novel, Henry
has no one and at the end, he is alone. The first chapter begins with
the reported death of seven thousand soldiers and the last chapter deals
with death too. The note of somberness created in the first chapter is
carried throughout the novel, crystallizing at the end.
Hemingway seeks to convey through this novel an uncomplimentary view
of war and a favorable view of love. The book is not an anti-war treatise
exclusively, nor is it solely a love story. Henry finds war unromantic
and rather than sacrificing his life for a cause he does not believe in,
he deserts. His desertion of the army is the natural and logical consequence
of his disillusion. Life is an endless struggle, the end of which is death
and pain. The theme of the novel, as represented by the love story, is
the quest for meaning and certitude in a world that seems to negate just
those values. It is about love that goes unrewarded, but then everything
in the world of the novel is without reward. The novel celebrates the
value of effort in face of manifested defeat and the values of discipline
and stoic endurance.
In this novel, Hemingway makes use of three major symbols: mountains, plains, and rain. The mountain is associated with home whereas the plains are just the opposite. Mountains are introduced in the first sentence of the first chapter and continue throughout the novel: they symbolize love, dignity, health, happiness, and the good life; they also represent worship or at least the consciousness of God. On the other hand, the low-lying plains serve as a symbol of indignity, suffering, disease, death, obscenity, war, and irreligious. The priest tells Henry that his homeland Abruzzi is a scenic place with mountains beyond it, with dry cold and snow, with polite and kindly people, with hospitality, and with natural beauty. Contrasted to it, is the low-lying officer's mess in the plains: obscenities, the priest-baiting captain, cheap cafes, prostitutes, drunkenness, and destruction. Henry's love affair begins as a rotten game of wartime seduction but soon it acquires the dimensions of honor and dignity. Therefore, the escaping lovers reach a small village and a villa nestled in snow covered mountains. Catherine becomes the center of the mountain image herself. She signifies home, happiness, security, and comfort, just as the mountains do.
Rain in this novel is a recurrent symbol. In the very first chapter,
there is a reference to the rains, which bring cholera that kills seven
thousand people. Catherine is afraid of the rain because she sees herself
dead in it and indeed it happens at the end. All the major disastrous
events in the novel, such as the retreat, the parting of the lovers after
Henry's recovery, and Catherine's pains of labor and her death, all are
accompanied by the rain. It signifies misfortune, distress, and death.
1. Examine the significance of the title A Farewell to Arms.
2. State the major themes in A Farewell to Arms and elaborate
on them.
3. Describe the character of Frederic Henry.
4. Write a note on the character of Catherine Barkley.
5. Discuss the significance of various symbols used in this novel.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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