Orson Scott Card (1951-) is best known for Ender's Game and the other novels in the series, especially Speaker for the Dead, which have been recognized and awarded among science fiction circles. Card has also written in a variety of other genres, including plays, short stories, books on writing, the Homecoming series, other science fiction books, and nonfiction, such as articles on computer technology.

Ender's Game first appeared in abbreviated form in a magazine in 1977. Card later expanded it into a full-length novel, published in 1985, to better establish Ender as a character for Speaker for the Dead. There is a film based on the novel currently in the works.

Card himself was born and raised out in the western United States as a Mormon. As a youth, he read a good deal of fiction and history, and was exposed as a teenager to the Foundation series by Isaac Asimov, which stuck with him. He had five children and now lives in Greensboro, North Carolina (featured in Ender's Game).


LITERARY / HISTORICAL INFORMATION


The main literary influence on Card was the Foundation novels by Isaac Asimov. The books are based on the idea that there are predictable cycles to history, and a psychohistorian uses these to predict the future in order to shorten a dark period; on a much smaller scale, Peter does this, when he influences events to prevent large-scale war from breaking out. Also in common with Ender's Game is the need to save mankind, and the spread of man through the universe. Fighting is seen as a last option, and trickery and deceit are often used.

The main historical influence would seem to be the Cold War. This manifests itself in the world polarization into two political spheres, Peter's monitoring of Russian troop movements and fear of war, and weapons that can destroy whole worlds. It is even possible that the Russian image of training kids demandingly for the future formed part of the basis of Card's conception of Battle School. Throughout the book, Card also makes numerous historical allusions, to figures such as Locke, Demosthenes, Caesar, and Alexander. This serves to ground the novel more, to make it seem more as a possible future for Earth, by giving the reader identifiable points from which to project from.

Cite this page:

Clapsaddle, Diane. "TheBestNotes on A Long Way Gone". TheBestNotes.com.

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