The theme of destiny or fate is most important in understanding the
novel. The characters are like figures on a chess board, constantly being
manipulated by the gods. Merlin is a great enchanter, but he is powerless
to stop the will of the gods. For example, when he falls in love with
Keri, the young nun, he feels as if he is dying, smothering to death,
when she begins to kiss and caress him. He is forced to push her away
from him and come to the realization he is not meant for love. His visions
come when he least expects them and often he passes out from the stress
they evoke. Then, he is forced to follow through with whatever the god
has demanded. For example, he knows that sending Uther into Ygraine's
bedchamber is morally wrong, but the god has chosen them to be the parents
of Arthur and he must make the plan that will make is happen.
Another character who is extremely affected by destiny is Gorlois. He was
a good man who was loyal to his king and even though getting old, fought
to protect what was rightfully his. In the end, destiny rewards his loyalty
with death. Other characters affected by destiny include: Ygraine and
Uther who are pawns in the game to make Arthur; Vortigern who is doomed
because he stole the throne; Cadal, who dies to protect Merlin and allow
the conception of Arthur; Ambrosius, who just brings about the unification
of Britain when he dies in order that Uther might meet Ygraine; and Niniane
who lives a loveless life to protect Ambrosius and Merlin.
The theme of duty and loyalty is seen in many characters and many events.
First, Merlin is ever loyal to the god who controls him. He always follows
through with every step on this journey. Ambrosius is ever loyal to his
country and returns to save it from Vortigern and the Saxons. Gorlois
is loyal to his king even though his reward is death. Cadal is loyal to
Merlin and ever dutiful. He dies to save Merlin's life. Of course, there
are those who lack loyalty and seldom fulfill their duties like Uther,
Ygraine, and Vortigern.
These characters are selfish and self-centered. They behave in ways that fulfill
only their own needs. These characters compared to the ones above create
an interesting dichotomy that helps reinforce the values of the early
Britons.
The theme of good versus evil is one that has flowed throughout literature
for all time. But it is even more important in this story than some. Here
we have the beginnings of the emergence of the Britons from the Dark Ages.
They have been living in a hell where the Saxons plunder their land freely
with no help from their king. Into this terrible world comes Merlin who
represents hope or goodness even though he sometimes does evil to obtain
the greater good. He represents the hope of Arthur, who will bring the
great goodness that will keep this land safe forever. Within this theme
are many characters who are both good and bad and somewhere in-between.
They all strive for certain goals that either enhance their lives or destroy
them.
For example, Uther is so obsessed with Ygraine that he risks his kingdom.
He proves he is not good enough to be a great king. Ambrosius is obsessed
as well, but with saving his people and fulfilling his responsibilities.
Niniane is a good woman who lives a poor life for the sake of the man
and the child she loves. Vortigern is an evil man who will do anything
to obtain power, including allowing the Saxons to control Britain. In
the end, the greater good comes to fruition: the conception of Arthur
as the savior of his people. In the process, evil deeds are done, but
they are valued as worth the sacrifice.
The theme of regret is mostly seen in the character of Merlin. As he
tells his story, he looks back on events that he wishes he had never set
into motion: the death of Cerdic, who is killed when he is blamed for
the death of Merlin's grandfather; the death of Galapas, who is killed
by Vortigern's men as they searched for Merlin; the death of Gorlois,
who goes into battle against Uther's men to protect his home and his wife;
and the death of Cadal, who died protecting Merlin. All these lives were
lost to fulfill the wishes of the gods, but Merlin can't help but feel
some guilt for their loss.
He also regrets that his life has had to be one of sacrifice for the greater
good. He will never know the love of a woman or the sounds of his children.
His duty will always be to God and to Arthur.
One other element that is evident is the sense of irony that at times
runs through the book. For example, it is ironic that Merlin's name means
Prince of Light, but he is always referred to as the Prince of Darkness.
It is ironic that Gorlois chooses to come out of Dimiliac and fight Uther's
troops. If he had just stayed inside, he might have lived. It is ironic
that Vortigern brings Merlin to the King's Fort, because Merlin's magic
convinces him to hole up at Doward where Ambrosius is able to burn him
out. It is ironic that Arthur, the greatest King of the Britons, will
be born to two such selfish people as Uther and Ygraine.
The vocabulary is another interesting element. Stewart tells us in her
Author's Note that she has incorporated many languages to name
places and people, because so many cultures were at work here at the time:
the Romans and Latin, the Welsh, the Bretons and Old French, the Britons
and Old English and even the Saxons and the Germans. For example, the
men of Cornwall, South Wales, and Brittany are also known as the Dumnonii,
Demetae, and the Armoricans.
The various nationalities - Romans, Bretons, Welsh, Britains, Irish,
Saxons, and Germans - are also another element to understanding the novel.
All these peoples were in constant flux as new leaders and new languages
entered the picture. That's why Ambrosius' sense of responsibility in
uniting them all is so moving.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
>.