In Beloved, Toni Morrison weaves the main theme around the history of slavery in the U.S. Although slave history is covered in textbooks, it is most often presented from the point of view of white males. The intimate lives of slave people are rarely discussed, for the historian has no insight into this side of slavery. Since slaves seldom knew how to read or write, there are no written accounts of their history; instead, the ex-slaves and their descendants passed down the tales of slavery through storytelling, which have been largely ignored in history books. In this novel, Morrison gives slave history from the perspective of ex-slaves, especially from the point of view of Sethe.
The key theme of the novel is the need for people, particularly ex-slaves, to deal with their painful pasts in order to heal themselves. To develop this theme, Morrison tells the story of Sethe, a female ex-slave, who kills her child in order to save her from the misery of slavery that she has endured. Although she does not spend much time in jail for her crime, she spends most of her life paying for the murder. She is ostracized by the community, haunted by the ghost of her dead daughter, and driven by the painful memories of what she has endured as a slave and inflicted on her children. Lacking mother love herself, Sethe sets out to heal her wounds by being a perfect mother. Unfortunately, slavery defines Sethe and her children as property, which carries a price tag. As a result, Sethe cannot raise and nurture her own offspring, for she is needed to do back breaking labor on the plantation. When she and the children escape from Sweet Home, she can still not nurture or love them properly, for she has no knowledge or experiences with child raising. She thinks that in trying to kill them she is caring for them, for she believes that the afterlife has to be better than a return to slavery for them.
Throughout the novel, Sethe defines herself by her relationship with her children. As a result, she is filled with a sense of failure. Her oldest daughter comes back as a ghost to haunt and torment her. Her two sons leave home after Baby Suggs dies, for they do not trust Sethe. Her youngest daughter fears her, for Denver believes she is capable of killing again. Sethe must deal with her past in order to understand her relationship with her children. She must come to terms the horror and pain of what she has endured as a slave child and a slave adult. The presence of Paul D in her life helps her face the past. When he returns to nurse Sethe back to health, he gives her a future by telling her that she alone is her own best thing - not her children or her past. As a result, Sethe begins to put her history behind her and look to a future with Paul D.
Morrison provides Sethe's healing process to her readers as a model
of healing for the nation. She seems to recognize that the U.S. is, much
like Sethe, trying to bury the traumas of the past, not giving them voice
and a chance for healing. America does not like to acknowledge the truth
about slavery. Americans do not like to think about slave women who were
continuously raped and abused by the white slave owners, about slave children
who were not permitted to be raised by their parents, or about runaway
slaves who were burned alive at the stake or lynched and left to rot on
the ropes that killed them. The nation is also like Sethe's community,
which abandoned her when she was most in need of help and treated her
action as a mental aberration rather than a predictable result of her
trauma; they chose to label her as immoral and insane rather than blaming
the sickness and immorality of the system of slavery that produced her
violence. Still today, much of white America labels the black populace
as lesser human beings. The novel clearly makes the reader think about
the past and deal with it. Although Beloved is painful, it can also be
Since the novel is filled with early black dialect and idioms, the book is sometime difficult to follow or understand. Listed below are definitions of some of the obscure vocabulary and idioms, in alphabetical order:
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