Mason cross-examines Clyde, questioning the salient points of his narrative,
bringing up how Clyde had originally lied about owning a camera, questioning
his lack of sympathy for Roberta in never writing to her while she was
home in Biltz. As for the accident on the lake, Mason has the actual boat
brought into court and Zillah Saunders taking the place of Roberta as
Clyde demonstrates what happened on that fateful day. The day's trial
session ends on this note, and the next morning Mason questions Clyde's
change of heart towards Roberta and whether or not he could have saved
her from drowning if he truly wanted. Mason confronts Clyde with the camera
and the two strands of hair threaded on it. Mason next attacks Clyde based
on his having close relationships with two women at once, pursuing Miss
X while still remaining involved and leading along Roberta Alden. He turns
after that to Clyde's finances, exposing that Clyde was not aware of the
cost of renting a boat at Big Bittern because he had no intention of returning
it and thus making a payment. Finally, Mason attacks Clyde's claim that
the visit to Big Bittern was not planned, using evidence that makes clear
Clyde had looked up the information from Lycurgus House well in advance
of the trip.
Mason methodically takes apart Clyde's story: re-enacting the actual accident
in the trial only serves to emphasize the unlikeliness of his claims,
as well as showing that Clyde had not been as thorough in covering his
tracks as he could have been. This points to a practical problem of Clyde's
lack of resolve, both in his actions and his defense: the portions he
tries to obscure prove he was trying to hide something, while
the parts he doesn't try to hard only reinforce negative aspects of his
behavior. If he tried to obscure nothing - in his actions or his explanation
after Roberta's death - he would at least appear less guilty. That
said, the very nature of his twin love affairs demanded some level of
deception, which Mason also pounces upon.
More witnesses follow Clyde, going over details of evidence and its interpretation.
Belknap and Mason each give their summations, spinning their own versions
of the events and poking holes into the other side's statements. Justice
Oberwaltzer gives specific instructions on determining guilt and innocence,
then the jury deliberates. One person, Samuel Upham, holds out for Clyde's
innocence but is convinced by the others to vote guilty or risk being
exposed. The jury returns, finds Clyde guilty of murder. Clyde worries
for his mother and how she'll react when hearing this news. Mason is praised
by most everyone for seeing justice done.
Again, the community works against the individual: in this case, Samuel Upham
is unable to stand by his beliefs because the rest of the jury decided
Griffiths was guilty. While it is possible for a single juror to come
to his own conclusions and agree with the other eleven, here Dreiser clearly
portrays Upham's decision as done under coercion and threats. The jury,
then, is as tainted as other parts of the trial, with the Justice Oberwaltzer
as the sole example of uncompromised moral values brought to bear on the
court.
News of the verdict spreads across the country and finally reaches Elvira
Griffiths. Elvira deliberates with herself and God on her son's innocence,
admitting that he led Roberta astray but that Roberta had done the same
to him. Elvira writes an encouraging telegram to Clyde, which a reporter
volunteers to pay for so that he could have the scoop. Samuel Griffiths
family decides against funding an appeal for Clyde, not wanting to deal
with any more shame. As it stands, the Griffiths have decided to move
themselves and their business to Boston to try to escape the notoriety
Clyde imparted them. Without further financial support, Belknap and Jephson
decide to call in Elvira Griffiths to speak on her son's behalf regarding
his sentence. Elvira is inspired to speak to an editor and have a paper
pay for her trip to Lycurgus; in return, she will write of her experiences
for that paper.
While it's brought up before this chapter, Elvira's belief that Roberta was
as guilty Clyde about their mutual moral downfall takes on a more compelling
aspect given Elvira's moral stature. Her decision to come to New York
to support Clyde is complicated by becoming an employee of a local paper
to do so.
Elvira comes to visit Clyde at the county jail in Bridgeburg. She is
unsure of his innocence because she senses the same confusion in him.
She then spoke with Belknap and Jephson, who are now cut off financially
as the Samuel Griffiths family is displeased with Clyde's mother becoming
highly visible in the papers. Considering ways to raise funds for Clyde's
appeal, Elvira decides to do lectures. In the meanwhile, she attends Clyde's
sentencing, where Justice Oberwaltzer decides Clyde will be executed on
January 28. Deciding her son is not guilty, Elvira speaks to the media
about the planned appeal. Clyde is soon moved to Auburn Penitentiary's
Murder Row. There, he is surprised to be recognized by some of the other
inmates, as well as by the presence of a Chinese murderer. An unnamed
inmate, apparently a farmer, annoys and scares the other with his cries
of agony. Above all, however, is the looming threat of the actual electrocution
chair.
In the background throughout most of Book Three, the electrocution chair becomes
the central symbol in the scenes set at the penitentiary. All the inmates
in Clyde's ward are sentenced to die on that chair, and so all are obsessed
with it and the death it brings.
At Auburn, the new Death House - where prisoners awaiting execution serve
their time - is connected to the old Death House, now a reception area,
and the execution room. Before a man dies, he stays in a cell in the old
Death House in order to have some solitude. Arriving in Auburn. Elvira
goes to the penitentiary to speak to Clyde in private and is upset when
she sees her son in his new situation. She implores Clyde to seek solace
in the Lord, prepares to give lectures to raise funds for his appeal,
and seeks help at the local churches.
The description of the two Death Houses are mildly complicated and shows how dealing with death in an official capacity presents problems and issues people normally don't consider.
Clapsaddle, Diane. "TheBestNotes on A Long Way Gone".
TheBestNotes.com.
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