The story plot is a journey which takes the rabbits from a place where they are in danger to a place where they can live in safety. Two major subplots are the discovery of the secrets of the tame warren and the journey to Efrafa and back.
 As with most journey stories, the most important lessons are those that are 
        learned on the journey itself. The rabbits have a tremendous amount of 
        learning to do for an 8 mile trip. They have to learn when to trust and 
        when to be suspicious, how to find unexpected friends, how to be examples 
        of leadership and courage. They have to learn how to contribute to the 
        overall welfare of a balanced society, even when it means doing something 
        that would not usually be expected of them. They also have to learn to 
        separate appearance from reality. The experiences of the journey equip 
        the rabbits to survive, not only under the leadership of the talented 
        Hazel, but also on their own, not unlike a father image, perhaps. Hazel 
        and his closest advisors set an example of courage and persistence that 
        will enable younger rabbits to leave the new warren and eventually build 
        their own warrens. 
 Like most journey stories, one of the primary themes is that of growing up. 
        The rabbits are adults when they start on the trip, but they mature in 
        other ways, such as in their abilities to work together, to think both 
        independently and as a unit, and in their appreciation of each other. 
        
 Although Adams claims that he had no political agenda in mind when writing 
        the story, some readers noticed a similarity between different forms of 
        government and the rabbit communities in the story. Sandleford has been 
        compared to the traditional monarchy where the leaders get the best of 
        everything and really don't even know their "people" although 
        the citizens can do almost anything they want within the boundaries of 
        their class. The Cowslip warren is analogous to extreme socialism with 
        a lack of constructive leadership. The only leadership is in the form 
        of rigid rules and a direction to violence whenever something threatens 
        to reveal the faulty ideology. Efrafa could be compared to a totalitarian 
        state with Woundwort being a rabbit "Hitler." Finally, the Honeycomb 
        might be considered a benevolent "republic." One student has 
        said that the Honeycomb is Utopia with all aspects of the society functioning 
        perfectly. I don't quite buy that one; given the extreme differences of 
        personality, characters like Bigwig and Holly will always have occasional 
        differences of opinion. Somewhere, the rabbits will always have an enemy 
        ready to harm them if they get too lazy or sloppy. 
 While comparing the story to various social forms among people may be reaching, 
        examining the characters in terms of leadership qualities is not. Hazel 
        initially leads the rabbits because he believes in what he is doing. He 
        does not designate himself the leader and is surprised when Cowslip asks 
        if he is the chief rabbit as he had never thought himself so. The early 
        discontents who try to mutiny are also unsure of who is the leader as 
        Bigwig is more forceful and has the Owsla background, but Hazel seems 
        to call the shots. Hazel sort of falls into the leadership role and has 
        to learn how to handle it as he goes. However, since he has leadership 
        abilities, he learns quickly and can be given credit for leading his band 
        to a safe and happy home. As he becomes a more efficient leader, the other 
        rabbits learn to trust his judgement and depend on him for the correct 
        decisions. 
 Creating a safe and healthy home is a basic motif in all cultures and thus 
        in all literature. As the rabbits travel along, they arrive at several 
        different locations where one or more rabbits will ask if they can just 
        "stay here." We see a religious resonance with this theme; recall 
        that the Hebrew Father Abraham received a message from God to take all 
        of his family and go to a land that God would show him. In the novel, 
        the rabbits have no idea where they are headed. Fiver's only direction 
        is to the high hills in the distance. They have no real sense of how long 
        it will take them to get there, but Fiver and Hazel believe they will 
        recognize the right place when they find it. Thus the experiences along 
        the way show them what they do NOT want in their new home even as they 
        accumulate new skills that will be put to good use in the Honeycomb. 
 Another basic cultural motif is the concept of leaving and coming back. Although 
        the entire novel is a journey, the trip to Efrafa forms a journey within 
        a journey. This secondary journey has a different motive; those who leave 
        are expected to bring something back. Although the first group of rabbits 
        is not criticized for their failure, the success of the second further 
        establishes leadership roles, and might even be considered a type of "manhood" 
        rite, especially since the goal of the trip is to acquire females. The 
        successful bunch must be able to do much more than run when the time comes. 
        They must arrive successfully, deceive and outsmart the enemy, escape 
        with and defend both themselves and the does who follow them, and finally 
        return with evidence of their success that includes physical evidence 
        and stories that can be told. 
 Joseph Campbell's hero of the journey myth works very well in this story. 
        In both the primary journey and the journey to Efrafa, the journey hero 
        elements are present. They consist of a call, preparation, departure, 
        the trip itself with unexpected events or help, and the return with some 
        lesson or insight. Of course, the rabbits never return to Sandleford as 
        the primary journey is for the purpose of establishing a new home. In 
        both journeys, however, the hero is the rabbit who is able to accomplish 
        the goal of the journey successfully both for himself and for the rest 
        of his group. To be properly identified as a hero, the character must 
        be trustworthy, creative, courageous, and realistic. 
 The novel offers great lessons in tolerance, both of the weaker characters 
        and of characters who are perceived as "different." Had the 
        rabbits refused to befriend the mouse and the gull, the events at Efrafa 
        would have had to be written quite differently. Furthermore, the rabbits 
        not only had to accept and befriend the gull, but had to serve him which 
        meant helping collect food that was disgusting to the rabbits. The events 
        show that individuals do similar things differently; being different does 
        not mean bad, nor does it mean that all should be alike. The rabbits wait 
        on the gull and supply what he needs, but none of them are expected to 
        start eating slugs or dead fish. 
Limited Omniscience from the perspectives of Hazel, Woundwort or Bigwig, depending on the section of the story involved.
 Clapsaddle, Diane. "TheBestNotes on A Long Way Gone". 
          TheBestNotes.com.
            
            
            
            
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