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Summary of The War of the Worlds by H.G. Wells Previous Page | Table of Contents | Next Page Downloadable / Printable Version
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The setting sun in the beginning
of the chapter is a metaphor for the end of familiarity. The life that humans
have had for lifetimes is about to change, as the first creature from Mars emerges
from the cylinder. In a sense, it is the end of the world as they knew it. This
is added to by the image of the lone figure of the young man trying to get out
of the pit. Against the backdrop of the red sun, it is foreshadowing of the future
bloodshed and death to come.
There is another possible allusion to the coming change in life. The sand piled up around the pit of the creatures could be interpreted as a parallel to human evolution, when the first beings began to emerge from the ocean. Just as man once did, the creatures from Mars are also going to come out from the depths and change the world. As Wells had a science background and Darwin’s ideas were published before, he was likely familiar with the idea of evolution and could have worked this into the chapter.
The “Gorgon groups of tentacles” is a reference to mythology. There were three Gorgons (one of which was Medusa), creatures with snake-like hair that would turn a man to stone if he looked at them.
Out of the pit rises a pole
with an awkwardly spinning disk at its top. Now very concerned about what could
be happening, the fear-stricken onlookers begin to move cautiously about, forming
up in two groups. The narrator heads toward a higher vantage point, stopping to
speak briefly to one of his neighbors before going on.
Others are beginning to move forward slowly, encouraged by the lack of movement in the pit and the presence of more people coming in from Woking, the nearby town. The Deputation, a small group of men bearing a white flag, arrive and lead.
The advance halts when three bright puffs of green smoke rise in the air, illuminating the frozen figures around the pit. A hissing noise, followed by a loud humming, announces the appearance of a domed object. Silent flames flashed out from it, directed at one man after another. A brief moment of fire, followed by a stumbling fall, pronounced the death of each. Trees, bushes, and buildings burst into flames as the concentrated heat came.
The narrator finds himself standing right in its the path, but is unable to move, transfixed and uncomprehending. Before reaching him though, the object lowers back down into the pit, leaving behind some smoking remnants and an eerily undisturbed silence.
Fear struck the narrator with a sudden blow, and he turned and ran. His quiet tears were accompanied by a strong sense that the cylinder’s death would reach him right before he reached safety.
Light and fire, traditionally
symbols of life, are instead used in this chapter to be the destruction that the
Mars creatures’ inflict. Not only has this “heat-ray” killed men, but it also
scorched the attempted peace mission. Although it is quite possible that the creatures
did not understand the white flag, they were never interested in peace. They have
landed on Earth with the intent of invasion, not the spread of goodwill. The first
deaths (aside from the unfortunate shopkeeper) and the ruin of the white flag
are the buildup towards war.
The narrator’s overwhelming anxiety and conviction
that his fate is an inescapable destruction is a small-scale version of the fear
that will soon spread over Earth.
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McCauley, Kelly. "TheBestNotes on The War of the Worlds".
TheBestNotes.com.
. 15 May 2008 |