The major theme that runs through the story is that of resurrection. 
        It is suggested by the title of the first book "Recalled to Life" 
        and is present throughout the novel. Dr. Manette, who has been buried 
        alive in prison is resurrected, when he is rescued and brought to freedom; 
        then Lucie nurses him back to life, health, and happiness. Darnay is also 
        saved from death on three different occasions, once by Dr. Manette and 
        twice by Sydney Carton. Roger Cly, the police spy, fakes his own death 
        and is then resurrected to play a part in the novel. Even Madame Defarge 
        is, in a way, resurrected, when she ironically surfaces as the lost sister 
        that Darnay has been seeking to find for many years. Sydney Carton is 
        also resurrected through his death; he is brought back to wholeness from 
        his wasted existence through his noble sacrifice. As he prepares to die, 
        he says that he is doing the best thing ever in his life. 
Vengeance (or retribution) is another theme that is woven into the entire 
        fabric of the novel. Madame Defarge, The Vengeance, and the mob are seeking 
        revenge for the innumerable wrongs they have suffered at the hands of 
        the French aristocracy. Ironically, vengeance brings them no peace or 
        happiness; instead, it pushes them into frenzied madness. Dr. Manette 
        also suffered from a great desire for vengeance against the Evremondes. 
        When his daughter marries a member of the Evremonde family, he buries 
        his vengeful emotions and his life returns to happiness and normalcy. 
        Dickens, by contrasting Dr. Manette with Madame Defarge, is clearly stating 
        that love and forgiveness bring much greater peace and happiness than 
        hatred and vengeance. 
Another theme of the novel is the fruitless nature of revolution. Dickens 
        captures the essence of a revolution gone bad. Dickens' initially sympathizes 
        with the miserable lot of the oppressed lower classes and denounces the 
        cruelty and callousness of the aristocracy. The treatment of his theme, 
        however, undergoes a change after the revolution takes place. He cannot 
        sympathize the mob, "dancing wildly like demons" and killing 
        needlessly and senselessly. As a result, Dickens' sympathies are turned 
        away from the mob towards the innocent aristocrats, such as Darnay. He 
        shows that the injustice of the Bastille is now being duplicated in La 
        Force, and the revolutionaries are just as power hungry and inhumane as 
        the aristocrats they abhor. He also points out that the revolutionaries 
        still live in misery and poverty in spite of all the bloodshed. It is 
        obvious by the end of the novel, that Dickens feels that revolutions seldom 
        accomplish their goals. 
 Dickens uses irony very effectively throughout the narrative. Almost all the 
        characters and situations of the plot are touched in some way by irony. 
        It is ironic that Dr. Manette, who seeks revenge against the Evremondes, 
        should find himself the father-in-law to a member of the Evremonde clan. 
        It is further ironic that his love for Lucie and Darnay destroys the vengeance 
        he feels and restores him to health and wholeness. It is ironic that the 
        evil and cruel Madame Defarge turns out to be the missing sister that 
        Darnay has been seeking ever since his mother's death. Darnay's dislike 
        of Carton is also extremely ironic, since Carton is the man who becomes 
        his savior. Similarly, Dr. Manette's letter, written while imprisoned, 
        becomes the very instrument that condemns his son-in-law to death. There 
        is irony at the end of the novel when the drugged and sluggish Darnay, 
        the symbol of goodness and nobility, resembles the alcoholic Carton, the 
        symbol of a wasted life, in such a realistic manner that he gets away 
        safely. Madame Defarge's end is also filled with irony. She goes to Lucie's 
        lodging, seeking evidence to imprison Darnay's wife and sentence her to 
        death; instead, she herself dies when her own gun discharges and kills 
        her instantly. In these instances and many more, Dickens heightens the 
        underlying meaning of his novel through his sophisticated use of irony. 
        
        1. Compare and/or contrast the two main female figures in the novel - 
        Madame Defarge and Lucie Manette. 
        2. Compare and/or contrast two significant male figures - Darnay and Sydney 
        Carton? 
        3. Why is the novel a tragic comedy? 
        4. What is Dickens' idea of the ideal of manliness? Who in the book best 
        represents this concept? 
        5. If Dickens critiques both the obscene excesses of the aristocracy and 
        the excesses of the people during the revolution, is he even-handed, or 
        does he sway the reader to siding with one? Explain your answer. 
 6. What is the role of servants in this novel? 
        7. Explain Carton as a Christ-figure in the book. 
        8. What is Mr. Lorry's role in the book? 
        9. Explain Dickens' attitude towards the revolution. How is it developed 
        in the course of the novel? 
        10. Explain three significant ironies in the book and why they are important. 
        
        11. Explain Dickens' use of repetition in the novel, giving specific examples. 
        
        12. How is the theme of resurrection developed through the plot. 
        13. Contrast the cities of London and Paris as they are depicted in the 
        novel. 
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 Clapsaddle, Diane. "TheBestNotes on A Long Way Gone". 
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