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A TALE OF TWO CITIES: PLOT SUMMARY / NOTES
Defarge enters the shop, and the spy greets him as Jacques. Defarge corrects
him by calmly informing him that his name is Ernest. Barsad tries to gather
information from him as well, but to no avail. He then taunts Defarge
by telling him that Lucie Manette is going to marry Charles Darnay, who
is the son of Madame D’Aulnais and the nephew of Evremonde. Madame Defarge
shows no reaction to this information, but her husband does. Barsad notices
Defarge’s response and is pleased to have made an impact. Satisfied with
his work, Barsad pays for his wine and leaves. After the spy is gone,
Defarge wonders out loud if this information could possibly be true; Madame
Defarge thinks it may be. Defarge, saddened by the information, hopes
that Darnay does not come to France. Meanwhile, Madame Defarge knits Darnay's
name in her register. At the end of the chapter, she takes off the rose,
and customers re-enter the shop.
The reappearance of the police spy, John Barsad, is not a mere coincidence. It is again an illustration of Dickens' skill in plotting his story. Since he testified against Darnay in his trial, it is appropriate that the breaks the news of Darnay’s engagement to Lucie Manette. When Barsad states that Darnay is an Evremonde, Defarge is visibly shaken. His stoic wife shows no reaction; she simply knits Darnay’s name into her register.
The differences between Monsieur Defarge and his wife are highlighted in this chapter. He shows his impatience, wondering whether the revolution will ever be a reality. His wife is calm and certain, sure that the revolutionary vengeance will sometime erupt in war. Defarge shows that he is human, not devoid of emotion. He is visibly upset when he hears of Lucie's forthcoming marriage to Charles Evremonde Darnay and hopes that he will never come to France. Madame Defarge, on the other hand, shows no emotion and merely knits Darnay's name into her register. Her resolute and accepting ways turn her into a symbol of Fate.
Dickens, in the final paragraphs of this chapter, depicts many poor women
knitting to stop thinking about their poverty hunger; later women will
sit at the foot of the guillotine and calmly knit as people are decapitated.
The knitting, therefore, becomes a symbol of death, as if these women
were knitting funeral shrouds. Madame Defarge knits the names of the aristocracy
that are to die; the peasant women knit to stave off poverty and hunger,
but many will die as a direct result of starvation; and finally, the women
who sit and knit at the guillotine are in direct vision of bloodshed and
On the eve of her wedding day, Lucie is ecstatic and spends the entire evening with her father. As they sit in the courtyard, Lucie assures Dr. Manette that her love for Darnay will never replace or change the love she has for him.
The Doctor is now happy about the marriage and states how fond he is of Darnay. One of his fears has always been that Lucie would never know the happiness of a spouse and child, which have provided him with great joy in his own life. He mentions his long imprisonment and how he had often wondered about the fate of his child, still unborn at the time of his capture. Sometimes he would imagine the child to be a boy, who would seek vengeance on his behalf. At other times he imagined the child to be a girl, who looked just like her mother and who would come to visit him in prison, finally setting him free. He confesses that the happiness that Lucie has given him far exceeds the happiness from the children about which he had dreamed.
When father and daughter go inside for dinner, they are joined by Miss Pross,
who is going to be the bridesmaid. Mr. Lorry is the only other person
who will be present at the wedding. After dinner, the Doctor bids everyone
goodnight and goes to bed. After a while, Lucie checks in on him and sits
lovingly by his bedside watching her father sleep.
Lucie's conversation with her father shows Dr. Manette in another light. During his long imprisonment, he admits that he had thoughts of retribution and imagined having a son who would seek vengeance for the injustice done to his father. When he imagined having a daughter, he pictured her as beautiful and compassionate, just like Lucie has proven to be. Dr. Manette, however, says she has brought him more happiness than he ever could have imagined; her love outweighs the misery and torture he has suffered and negates the need for revenge. Dickens thus emphasizes the power of pure love, as symbolized in Lucie. Because of her loving care, she has redeemed her father from death and restored him to life.
There is an atmosphere of calm, quiet, and peace as father and daughter share confidences with each other. Lucie reassures Dr. Manette that her marriage will do nothing to change her love for him. He, in turn, explains that he is happy about the marriage, for he has worried that Lucie might never experience the joy of marriage and parenthood, the things that Dr. Manette values most in life.
As the wedding fast approaches, it is important to remember that at this point
Dr. Manette still does not know the background of his future son-in-law.
When Darnay tried to tell the doctor about his past, he refused to listen
and forbid Darnay to bring up the topic again until the morning of Lucie’s
marriage. The reader is, therefore, prepared for some kind of a shock
to happen on the wedding day.
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