1) "One has only a life of one's own." Orleanna,
pg 8.
Orleanna is commenting on her daughters' accusation that she never had
a life of her own but had given everything for either her husband or the
girls. Yet, in Orleanna's perspective, the girls never needed her and
her husband was probably incapable of loving her. Thus all she really
had was herself.
2) "We aimed for no more than to have dominion over every creature
that moved upon the earth. And so it came to pass that we stepped down
there on a place we believed unformed, where only darkness moved on the
face of the waters." Orleanna, pg 10.
Orleanna's words have ironic echoes of both Conrad's novel Heart
of Darkness and the creation story from the Bible. Her husband also
places himself in a god-like position over his family and over the people
he is attempting to convert even though he himself is emotionally prostrate
before God. It is a misplaced perception of himself, and the observation
comes as close to satire as Orleanna is able to get. Neither she nor her
husband had dominion over themselves, let alone the "creatures"
of the earth. And the darkness which they imagined to be a part of Africa
was in reality a blindness in their own hearts.
3) "We are supposed to be calling the shots here, but it doesn't
look to me like we're in charge of anything, not even our own selves."
Rachel, Pg 22.
Rachel's early perception of how little control they have over their own
situation is thoroughly accurate in spite of her own immaturity and teenage
arrogance. From the very beginning, Nathan Price made the mistake of trying
to run the people rather than trying to work with them. The comment is
a foreshadowing of Rachel's future as she never will get out of Africa
in spite of her attempts to manipulate everyone. For her, the best means
of survival will be to simply float along on the ebb and flow of events.
4) "It's a heavenly paradise in the Congo, and sometimes I want
to live here forever." Leah, pg 104.
The statement is foreshadowing. Leah is overwhelmed by the beauty and
life of the jungle, but her wish will become reality.
5) "Father says a girl can't go to college because they'll pour
water in your shoes." Ruth May, pg. 117.
Ruth May takes her father's metaphor literally, but it is indicative of
the way the girls have accepted his twisted judgements as fact.
6) "I wonder that religion can live or die on the strength of
a faint, stirring breeze. The scent trail shifts, causing the predator
to miss the pounce. One god draws in the breath of life and rises; another
god expires." Adah, pg. 141.
Adah had gone with Leah to get water, but as usual had wandered a little
farther and returned to the house at her own slower speed while Leah went
on ahead. While walking along the trail, Adah thought she heard footsteps
behind her, but each time she stopped the noise also stopped. She arrived
home and slipped into a hammock to rest. While she lay there, Tata Ndu
came to report to her father that they had found evidence of a lion having
killed a little girl who dragged one foot. It was a report of thinly veiled
triumph as Tata Ndu had been predicting that something would happen if
people stopped serving the old gods. When Adah appears in the doorway,
Tata Ndu appears defeated, and Nathan acts as if he has won something.
Adah's observation reflects that fragile nature of faith and foreshadows
her own abandoning of Christianity.
7) "When I finally got up with sharp grains imbedded in my knees,
I found, to my surprise, that I no longer believed in God." Adah,
pg. 171.
Adah had been punished in Sunday school because she questioned the justice
of a God who would condemn people because of the color of their skin or
the place where they were born. She is made to kneel on grains of uncooked
rice and pray for her own soul. While she still has to comply with her
father's expectations, she inwardly rejects Christianity and turns religious
concepts in to palindromes that seem to have opposing meanings.
8) "We are going to make the Congo, for all of Africa, the heart
of light." Patrice Lumumba, pg. 184.
Lumumba's inauguration speech promises a new life to the people of the
Congo, but ends in disaster. Lumumba is arrested and assassinated, and
the dictator who takes his place plunges the Congo into thirty years of
the darkness of cruelty and poverty. The speech supports the motif of
light versus darkness.
9) "I have pictured it many times-Hope!-wondering how I would
catch such a thing one-handed, if it did come floating down to me from
the sky. Now I find it has fallen already, and a piece of it is here beside
our latrine, one red plume. In celebration I stooped down to pick it up."
Adah, pg. 185.
Adah frequently quotes Dickinson, finding a personal connection in the
terse verse. The feather on the ground, however, is from the bird Methuselah.
He was killed by a cat on the same day that the Congo was supposedly granted
independence.
10) "You always think you know more about their kind than they
know about yours, which just goes to show you." Rachel 253.
Rachel observes that brother Fowles and his wife had established a friendship
with the village people and had been accepted by them, a fact which her
father cannot accept. While the Price family is quite ignorant about the
African culture, the Africans are well aware of the ways of white people
who come to them as missionaries.
11) "In Congo, it seems the land owns the people." Leah,
pg. 283.
Leah's casual statement is a fact of life in the Congo and one of the
primary themes of the novel. The land does "own" the people
in a way that demands the observance of a way of life that is difficult
for pampered Americans to comprehend. Those who cannot live by its rules
are doomed to be destroyed by it, nor can they ever completely escape
its effects.
12) "You still think you're the epicenter of a continent, don't
you Princess?" Axelroot, pg. 293.
Rachel is trying to play the game invented by her father and Axelroot,
designed to keep her from having to marry Tata Ndu. She thinks she can
play it according to her own rules and persuade Axelroot to take her family
out of Congo. He is well aware of her intentions and of her arrogance.
His analysis of her is remarkably accurate in one sense, but in another
she is emotionally a child with sisters who seem to be more intelligent
and more loved than she is. Rachel, however, does not let her need get
her down, but continually schemes to acquire the importance she craves.
13) "Why why why, they sang, the mothers who staggered down
our road behind small tightly wrapped corpses, mothers crazy-walking on
their knees, with mouths open wide like a hole ripped in mosquito netting.
That mouth hole! Jagged torn place in their spirits that lets the small
flying agonies pass in and out. Mothers with eyes squeezed shut, dark
cheek muscles tied in knots, heads thrashing from side to side as they
passed." Adah, pg. 296.
A description of the expression of grief from Kilanga mothers who have
lost children to malaria and dysentery. The description reads like poetry
and could perhaps be called a "found" poem. Yet it is also a
subtle foreshadowing as the mothers will one day be singing their mourning
song for her family.
14) "Not my clothes, there wasn't time, and not the Bible-it didn't
seem worth saving at that moment, so help me God. It had to be my mirror."
Rachel, 301.
During the invasion of the ants, Rachel goes back into the house to try
to salvage one "important" thing. The choice of the mirror is
on the surface a reflection of her vanity, but could also be considered
an attempt to hang onto the image she has of herself, a need to preserve
some aspect of the privileged teen that she wants to be. The mirror itself
is symbolic of priorities.
15) "Live was I ere I saw evil. Now I do not wonder at all.
That night marks my life's dark center, the moment when growing up ended
and the long downward slope toward death began. The wonder to me now is
that I thought myself worth saving. But I did....And if they chanced to
look down and see my struggling underneath them, they saw that even the
crooked girl believed her own life was precious. That is what it means
to be a beast in the kingdom." Adah, pg. 306.
During the attack of the ants, Adah sees her mother carry Ruth May to
safety. She thinks she sees her mother hesitate as if trying to decide
whom to save and then choosing the more perfect Ruth May. Although that
isn't exactly what is in her mother's mind, Adah spends several years
believing that she had been left behind as not worth saving. She also
sees that although she was in the process of being trampled, even she
struggled for life. The "beast in the kingdom" is a metaphor
for the value of every living thing and is echoed later on when she sees
once again that the price of survival is always the death of some other
living being.
16) "Don't expect God's protection in places beyond God's dominion.
It will only make you feel punished....when things go badly, you will
blame yourself....Don't try to make life a mathematics problem with yourself
in the center and everything coming out equal. When you are good, bad
things can still happen. And if you are bad, you can still be lucky."
Anatole, pg. 309.
Leah interprets Anatole's words as an indication that he thinks her
faith is childish. Rather he is simply trying to get her to understand
that regardless of a person's religion, the processes of the earth take
place and effect all life unevenly. It is senseless to try to find a religious
or personal cause for everything that happens. Anatole's words are the
exact opposite of the teachings of Nathan Price; according to Nathan,
God rewards the just and punishes the unjust. Leah will eventually decide
that Anatole's view makes more sense.
17) "The death of something living is the price of our own survival,
and we pay it again and again. We have no choice. It is the one solemn
promise every life on earth is born and bound to keep." Adah,
347.
After watching the outcome of the hunt, Adah echoes her summation on
life from the night of the ants.
18) "For women like me, it seems, it's not ours to take charge
of beginnings and ending...I only know the middle ground where we live
our lives....To resist occupation, whether you're a nation or merely a
woman, you must understand the language of your enemy. Conquest and liberation
and democracy and divorce are words that mean squat, basically, when you
have hungry children and clothes to get out on the line, and it looks
like rain." Orleanna, pg. 383.
Orleanna attempts to explain why she waited so long to leave Nathan and
why she didn't act earlier to prevent some things from happening. Women,
to her way of thinking, were not given a part in the decision making,
but were expected to complete more than their share of the labor that
resulted from whatever decision was made. She was too busy trying to feed
hungry mouths to ask how she arrived in that situation or whether she
ought to do anything to change it.
19) "If you are the eyes in the trees, watching us as we walk
away from Kilanga, how will you make your judgement? Lord knows after
thirty years I still crave your forgiveness, but who are you? A small
burial mound in the middle of Nathan's garden, where vines and flowers
have long since unrolled to feed insects and children. Is that what you
are? Are you still my own flesh and blood, my last born, or are you now
the flesh of Africa? " Orleanna, pg. 385.
Orleanna is unable to answer her own questions even though she senses
that somehow the spirit of Ruth May is not gone. An awareness of and her
search for forgiveness from an entity she can't quite find support the
"muntu" concept of the unity and interconnectedness of life.
20) "My little beast, my eyes, my favorite stolen egg. Listen.
To live is to be marked. To live is to change, to acquire the words of
a story, and that is the only celebration we mortals really know. In perfect
stillness, frankly, I've only found sorrow." Orleanna, pg. 385.
Orleanna's words echo the sentiment of American Indian N. Scott Momaday
who said, "In the end, the words are all we really have." The
theme of story telling as healing is the underlying thread of the entire
novel.
21) "What happened to us in the Congo was simply the bad luck
of two opposite worlds crashing into each other, causing tragedy. After
something like that, you can only go your own way according to what's
in your heart. And in my family, all our hearts seem to have whole different
things inside." Rachel, pg. 465.
Rachel survives on her own terms because she is capable of realizing that
no one in her family every really had anything in common with any of the
others. Her father was involved with his self appointed mission, and her
mother was trapped in trying to see that they survived to adulthood. There
was no one left to build real relationships or to develop common interests,
so each of her sisters grew up under the name of family but with ideas
that were uniquely diverse to each. Rachel made a life for herself by
simply "picking up her feet" and letting life carry her along
the path of least resistance. In different words, she agrees with her
mother-that it was destiny, and humans can do little to control it and
will accomplish nothing by taking the blame for it.
22) "The King of Kings aroused the anger of Antiochus against
the rascal. And when Lysias informed him this man was to blame for all
the trouble, he ordered them to put him to death in a way that is customary
there. For there is a tower there, seventy-five feet high, filled with
ashes, and there they push a man guilty of sacrilege or notorious for
other crimes to destruction. By such a fate it came to pass that the transgressor
died, not even getting burial in the ground." Adah, 487.
Adah quotes a verse from the Apocrypha, a favorite section of the Bible
for Nathan although most churches did not recognize it as a valid part
of the Bible. Adah had been made to copy the section numerous times as
punishment and recognizes the irony. According to the stories they have
heard, their father perished in a tower that had been set on fire. The
end he received was one he had quoted, preached on, and inflicted metaphorically
on others.
23) "Betrayal bent me in one direction while guilt bent her
the other way. We constructed our lives around a misunderstanding, and
if ever I tried to pull it out and fix it now I would fall down flat.
Misunderstanding is my cornerstone. It's everyone's come to think of it.
Illusions mistaken for truth are the pavement under our feet. They are
what we call civilization." Adah, pg. 532.
Adah reaches a final understanding of the misconceptions that were a
part of her entire family. Each person had her own misconception of guilt
or responsibility. Each had their own belief about the way things ought
to be, and their beliefs did not coincide with their father's or any one
else's. In fact, Adah realizes that illusion was not limited to her family.
The Congo people thought they were about to get independence and received
dictatorship. Lumumba thought he was to be prime minister and was assassinated.
Her own mother thought she was at last freeing herself from Africa but
found herself driven to continuously gaze over the ocean in that direction
as if pieces of her were still trapped in the Congo. Perhaps freedom itself
is intertwined with a people's success or failure in living out their
misconceptions.
24) "My baby, my blood, my honest truth: entreat me not to leave
thee, for whither thou goest, I will go. Where I lodge, we lodge together,
Where I die, you'll be buried at last." Orleanna, pg. 382.
In an interesting reversal of a passage of the Bible from the Book of Ruth, Orleanna acknowledges that although she buried Ruth May, she never let her go. In this she is taking on an additional burden of guilt, for she feels Ruth May's spirit and feels that she has forced the child to remain a part of her world. In her mind, when she dies, Ruth May will then die with her. She does not understand the muntu.
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Cite this page:
Ruff, Karen DA. "TheBestNotes on The Poisonwood Bible".
TheBestNotes.com.
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