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THE JOY LUCK CLUB: LITERARY ANALYSIS / CRITICISM
Ying-ying St. Clairís childhood story involves a trip to the Moon Lady, a mysterious woman who grants wishes. Ying-ying has been thrown into the sea and rescued by strangers. Since he longs to be reunited with her family, she goes to see the Moon Lady to make her wish.
These four narratives about the childhoods of the Chinese mothers constitute the first section of the novel. The second section begins with another anecdote. This one is about a mother who warns her daughter not to ride her bicycle away from home. The daughter does not obey her mother and rides away; but she falls off her bicycle before even reaching the corner. The narrative then splits into the four stories again, but this time the daughtersí tell of their childhoods.
Waverly Jong remembers one Christmas when her brothers receive a chess set as a present. She is fascinated with the game and teaches herself to play; she soon becomes a child chess prodigy and is even featured in Life magazine. Her Chinese mother is extremely proud of her daughterís accomplishment and spares no opportunity to boast about her. Waverly resents her motherís ambitious and proud nature and tries to run away from her, but is quickly caught. That night in bed, she plays mental chess against her mother, making up the moves for both of them.
Lena talks about her childhood and how her Chinese mother had tried to protect her from evil. Ying-ying would constantly frighten Lena with stories about ghosts and devils; the moral of the stories was always that obedience pays. As a result, Lena often tries to revolt and be disobedient. Growing up in an apartment in San Francisco, Lena often heard the fighting of her neighbors, an Italian woman and her daughter. She assumed that the women hated one another until she met the daughter and learned that the relationship was strong, though volatile. Lena envied the openness of the relationship, wishing she could talk to her mother with the same openness. Unfortunately, she could not have such a relationship, for her own mother was slowly slipping into madness.
Rose Hsu Jordan remembers a time in her childhood when her parents left her in charge of her brother, Bing. The two of them go to the beach, where Bing refuses to obey Rose. Suddenly, he is swept out to sea and drowns. Bingís death causes Roseís mother to lose her faith in God, and Rose has always felt guilty. Now Rose is losing something dear to her. Her husband Ted has announced he is leaving her for another woman. Rose loses her faith in love.
Jing-Mei Woo remembers the time when her mother had tried to make her a prodigy to compete with the successes of Waverly. Suyuan first dreamed about making her daughter an actress. Then she tried making Jing-Mei a whiz kid. When Jing-Mei showed no enthusiasm to excel in either field, she was forced to become a pianist. She rebelled by playing badly and hurting her motherís feelings. The piano was abandoned until Jing-Mei turned thirty, when her mother made a gift of the piano to her. Jing-Mei did not try to play the piano until after her motherís death, when she discovered two things: she could play well, and her mother had selected music that had great meaning for both their lives.
The influence of the Chinese mothers on their children persists even after they become adults. Waverly is going to be married to an American colleague who also works as a tax-accountant in a reputed firm. Although she has become a polished and successful woman, she is still afraid to communicate her feelings to her mother. When she finally gathers courage to talk to Lindo, she is surprised at her motherís supportive reaction.
Section III opens with an anecdote about a mother who is upset to find her
daughter has placed a mirror at the foot of her bed. When she cannot persuade
the daughter to remove the mirror, which she believes is bad luck, she
purchases another mirror for the head of the bed, to bring balance. Both
women emerge happily from the situation.
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. 09 May 2017