Free Study Guide The House of Mirth by Edith Wharton|
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When she gets outside she runs into Mr. Rosedale. He is shocked at her appearance and insists on taking her to a nearby restaurant for tea. She looks wasted and emaciated, but still dazzles him with her beauty. He is so kind to her that she feels the strong urge to confide in him. She tells him she plans to use her entire legacy to pay back Gus Trenor. He is shocked into admiration of her. She tells him she left Mrs. Hatchís because she worried that people would think she was involved in the scheme to get Freddy Van Osburgh to marry Mrs. Hatch, but now people think she was involved anyway. He offers to help her with backing if she needs any money. She declines his offer, but feels touched by his kindness. He walks her home and is shocked to see the boarding house where she lives. He asks if he can come and see her sometimes and she is touched again by the heroism she sees in this gesture.
When she gets to her room, she realizes she had confided so much in
Simon Rosedale because she is so lonely. Carry Fisher had been a good
friend to get her situated in the shop, but had backed off soon afterwards
out of a sense of self-preservation. She had, after all, introduced Lily
to Mrs. Hatch, and so her name was attached to the scandal. Lily dreads
another night of insomnia. The worst of her nights are filled with images
of Lawrence Selden coming to her in frank kindness. She has taken a good
deal of Mrs. Hatchís prescription which sends her into a deep sleep free
of dreams. She wakes every morning after such a dose feeling freed of
her past. Her worst nightmares come from the fear that she will not be
able to maintain her resolve to pay back Gus Trenor. She worries that
when the legacy comes, she will buy the millinery establishment as Gerty
Farish and Carry Fisher expect her to do and then eventually come to be
able to live with the debt she owes to Gus Trenor.
As Wharton traces Lily Bartís fall from the heights of wealth to the depths of poverty, she moves from a style of realism to one of melodrama. By the end of chapter ten, Wharton has repeated several times the hopelessness of Lilyís situation. Lily is shown to be hounded by bad dreams of sweet communion with Lawrence Selden, horrid temptations to use the packet of letters against Bertha Dorset in collusion with Simon Rosedale, and the moral discomfort of realizing that she might not be able to bring herself to use the last of her money to pay Gus Trenor back for the money he gave her. By the end of the chapter, the melodramatic language is firmly in place "The only hope of renewal lay in the little bottle at her bed-side; and ho w much longer that hope would last she dared not conjecture."
Perhaps it was impossible for Wharton to go to the world of working class
women with anything but melodrama. Perhaps she wants to elicit all of
the readerís sympathy for a woman who has made a series of bad choices,
but who has nevertheless not deserved such cruel treatment by her friends
and family. Wharton has certainly set up the background of Lilyís despairing
attitude carefully. Lily has been taught from childhood that poverty is
a sign of being pig-like, that poor taste is a moral fault, and that grubbing
after other peopleís money by putting herself on the marriage market is
a solution both acceptable and right.
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