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Free Study Guide for The Catcher in the Rye by J. D. Salinger Downloadable / Printable Version CHAPTER SUMMARY WITH NOTES | |||
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The opening of this chapter seems to be a repetition
of Holden’s earlier remarks about the selling of talent and the difference between
real art and popular art. When he remembers the duo that sometimes sing at the
Wicker Bar, he thinks about the phoniness of their performance and the audience’s
response. It is interesting to note that Holden is very quick to condemn the patrons
of the places he himself chooses to go; it is like he is condemning himself. On
the other hand, since he chooses to go places where it always seems "the
phonies are coming in the window", it is possible that Holden’s depression
stems from not finding any place free of phoniness.
Though Holden looks forward to Carl’s arrival, it is mostly out of extreme boredom. He does not like Carl, but usually enjoys his stories about his sexual escapades. Holden acts as if he has learned all he knows about sex from Carl. By the time his friend arrives, Holden has abandoned any thought of "intellectual conversation" in favor of a frank discussion of sex; but Carl is not interested in talking about sex on this night. As a result, what little conversation they have is halting and uncomfortable.
Carl reveals to Holden that his father is a psychoanalyst. Holden asks Carl about being analyzed, and Carl says it seems to help a person understand himself. Carl, however, has no understanding of Holden. Since he does not recognize Holden’s desperation, Carl gets ready to leave. Holden begs him to stay and states, "I’m lonesome as hell." Carl does not seem to care. When he suggests Holden undergo psychoanalysis, it is not given as friendly advice, but stated in annoyance and without the remotest shred of human concern. Holden has been rejected one more time.
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